| Characterizing the effects of hearing loss and hearing aids on the neural code for music |
Medical Research Council Clinical Trials Unit |
1 March 2022 |
28 February 2025 |
| Decolonising Arts & Knowledge |
The British Academy |
31 March 2023 |
31 August 2024 |
| RADIO: Programming Peace |
The British Academy |
31 March 2023 |
31 August 2024 |
| Instrumentalising Electronic Sound, 1945-75 |
British Academy |
2 September 2019 |
10 September 2022 |
| SPARKLE: Sustaining Practice Assets for Research, Knowledge, Learning and Engagement |
Arts & Humanities Research Council (AHRC) |
10 January 2022 |
9 July 2022 |
| The Operas of Thomas Adès |
AHRC
|
1 January 2020 |
30 September 2021 |
| The Garden of Forking Paths: material-indeterminacy driving open-form composition for clarinets |
Arts and Humanities Research Council |
1 August 2019 |
31 January 2021 |
| German Operetta in London and New York, 1907-1939: Cultural Transfer and Transformation |
European Research Council |
1 March 2014 |
28 February 2019 |
| John Cage and the Concert for Piano and Orchestra |
Arts and Humanities Research Council |
11 October 2015 |
11 October 2018 |
| Hearing Aids for Music: Exploring the music listening behaviour of people with hearing impairments |
Arts and Humanities Research Council |
1 February 2015 |
31 August 2018 |
| Performing the Jewish Archive |
AHRC |
30 November 2014 |
29 June 2018 |
| Weaving Codes, Coding Weaves |
Arts and Humanities Research Council |
September 2014 |
2016 |
| The Professional Career and Output of Trevor Jones |
Arts and Humanities Research Council |
October 2013 |
September 2016 |
| Hugh Davies: Electronic Music Innovator |
Arts and Humanities Research Council |
February 2015 |
April 2016 |
