Professor Duncan Wheeler
- Position: Chair of Spanish Studies
- Areas of expertise: Golden Age Drama and Prose Fiction; Hispanic and European cinema(s); Translation; Popular Music; Contemporary Spanish Culture and Politics; Twentieth-Century Spanish Theatre; Gender and Sexuality
- Email: D.Wheeler@leeds.ac.uk
- Phone: +44(0)113 343 3514
- Location: 2.43 Michael Sadler
I read Spanish and Philosophy at Wadham College, University of Oxford (2000-2004). I continued at Oxford to complete my Masters (2004-2005) at St Catherine's College, and my doctoral thesis (2005-2009) at Wolfson College. Following a year as stipendiary lecturer at The Queen's College, I came to Leeds where I was awarded a 2-year Leverhulme Early Career Research Fellowship in 2010. I re-joined the Faculty as a lecturer in 2012, and was promoted to an Associate and then a Full Professorship in 2013 and 2017 respectively (recording of Duncan's inaugural lecture). I was particularly delighted to be awarded the Chair just as Spanish entered its centenary year at Leeds, a milestone which has been celebrated through multiple events including the University hosting the annual conference of the Association of Hispanists of Great Britain and Ireland in March 2018. I have a variety of research interests but they tend to be united by a continual preoccupation with the interrelationship between cultural institutions, art, politics and memory in contemporary and Early-Modern Spain. My research and teaching of theatre led me to being inducted into the Spanish Academy of Stage Arts in September 2016. In my capacity as Editor (Hispanic Studies) of Modern Language Review, I am a Trustee of the Modern Humanities Research Association and also serve as a member of the AHRC Peer-Review College.
Following Franco: Spanish Culture and Politics in Transition (Manchester: Manchester University Press, 2020).
La escenificación de Sevilla en la época de Velázquez/Dramatising Seville in the Age of Velázquez (Seville: Diputación de Sevilla, 2020)
La puesta en escena del teatro áureo, ayer, hoy y mañana (Kassel: Reichenberger, 2020).
Golden Age Drama in Contemporary Spain: The Comedia on Page, Stage and Screen (Cardiff: University of Wales Press, 2012).
Translations/Dual-Language Critical Editions
Various Authors, Spanish Songs of the Transition, trans. and intro. Duncan Wheeler (Liverpool: Liverpool University Press, 2021).
Corín Tellado, Thursdays with Leila, trans. Duncan Wheeler, intro. Diana Holmes and Duncan Wheeler, prologue Mario Vargas Llosa (Cambridge: MHRA New Translations, 2016), see articles in The Guardian and The National.
José Luis Alonso de Santos, Bajarse al moro/Going Down to Morocco, trans. and intro. Duncan Wheeler (Oxford: Oxbow, 2013).
Edited Books/Special Issues
David George, Stuart Green and Duncan Wheeler (2018), Beyond the Text: Sights and Sounds of the Spanish Stage, Special Issue of Hispanic Research Journal.
Duncan Wheeler and Fernando Canet (eds.), (Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema (Bristol: Intellect, 2014).
Peer-Reviewed Journal Articles
´Bullfighting on screen: a hidden chapter in the history of film and television´, Quarterly Review of Film and Video, forthcoming.
´Vox in the age of COVID-19: The populist turn in Spanish politics´, Journal of International Affairs, 73.2 (2020), in press.
´Barcelona, a musical olympus? Live concerts, club cultures, television and city branding’, Journal of Spanish Cultural Studies, 21 (2020): 79-96. .
‘(Dis)locating Spain: Performance intertextualities in Todo sobre mi madre/All About my Mother (Pedro Almodóvar, 1999), Journal of Cinema and Media Studies (formerly Cinema Journal), 58.1 (2018): 91-117.
'The musical in Spain', Hispanic Research Journal, 19.2 (2018): 156-75.
'Golden Age transvestism on inter(national) stages: La vida es sueño/Life is a Dream in Spain and Don Gil of the Green Breeches in Britain', Shakespeare Bulletin, 36.2 (2018): 271-98.
'Adaptaciones cinematográficas de los clásicos en el aula', Anuario Lope de Vega 24 (2018): 260-87.
'Los toreros estrellas del desarrollismo: Manuel Benítez El Cordobés y Sebastián Palomo Linares', Revista de estudios taurinos, 41 (2017): 43-69.
‘The generation game: Javier Cercas, Podemos and the (im)possibility of progressive politics in Spain’, Modern Language Notes, 132.2 (2017): 441-60.
‘All her friends call her Alaska: the cultural politics of locating Olvido Gara in and beyond Madrid’s Movida’, Journal of Spanish Cultural Studies, 17.4 (2016): 361-83.
‘You’ve got to fight for your right to party? Spanish punk rockers and democratic values’, Popular Music and Society, 41.2 (2016): 132-53.
‘The (post-)feminist condition: women filmmakers in Spain’, Feminist Media Studies, 16.6 (2016): 1057-077.
‘Wanna be in my b(r)and? Live At Leeds festival report’, co-authored with Stuart Green, Popular Music, 35.3 (2016): 418-24.
'Translating quotidian humour for the contemporary stage: José Luis Alonso de Santos's La estanquera de Vallecas', Romance Quarterly, 62.4 (2015): 242-255.
'Translation and didactics in the language classroom: the preparation and dissemination of a dual-language critical edition of José Luis Alonso de Santos’ Bajarse al moro/Going down to Morocco', co-authored with Betlem Soler Pardo, The Interpreter and Translator Trainer, 9.1 (2015): 30–49.
'In conversation with Gay Mercader, the man who brought rock'n'roll to Spain', Arizona Journal of Hispanic Cultural Studies, 18 (2014): 181-96.
'The cultural and gender politics of enunciation: locating the singer-songwriter within and beyond male Anglo-American contexts', co-authored with Lucy O'Brien, Journal of World Popular Music, 2 (2014): 228-248.
'Contextualising and contesting José Antonio Maravall's theories of baroque culture from the perspective of modern-day performance', Bulletin of the Comediantes, 65.1 (2013): 15-43.
'At the crossroads of tradition and modernity: Raphael and the politics of popular music in Spain', Journal of European Popular Culture, 4.1 (2013): 55-70.
'Raphael and Spanish popular song: a master entertainer and/or music for maids’, Arizona Journal of Hispanic Cultural Studies, 16 (2012): 11-30.
'The representation of domestic violence in Spanish cinema', Modern Language Review, 107.2 (2012): 438-500.
'From the town with more theaters than taxis: Calderón, Lope and Tirso at the 2008 Almagro Festival (part two)', Comedia Performance, 9.1 (2012): 102-42.
'From the town with more theaters than taxis: Calderón, Lope and Tirso at the 2008 Almagro Festival (part one)', Comedia Performance, 8.1 (2011): 151-200.
'All about Almodóvar?: All About My Mother on the London stage', Bulletin of Hispanic Studies, 87.7 (2010): 821-41.
'The representation of domestic violence in popular English-language cinema', New Cinemas (Journal of Contemporary Film), 7.2 (2009): 155-75.
'Godard's list: why Spielberg and Auschwitz are number one', Media History, 15.2 (2009): 185-203.
'Intimate partner abuse in Spain (1975-2006)', Cuestiones de género, 3 (2008): 173-204.
'The performance history of Golden-Age drama in Spain (1939-2006)', Bulletin of the Comediantes, 60.2 (2008): 119-155.
'We are living in a material world and I am a material girl: Diana, Countess of Belflor, materialised on the page, stage and screen', Bulletin of Hispanic Studies, 84.3 (2007): 267-286.
´Luis García Berlanga visto desde el Reino Unido´ in Furia española. Vida, obra, opiniones y milagros de Luis García Berlanga (1921-2010), cineasta, eds. José Luis Castro de Paz and Santos Zunzunegui (Valencia: IVAC, 2021), forthcoming.
‘Cervantes on film’ in The Oxford Handbook to Cervantes, ed. Aaron Kahn (Oxford: Oxford University Press, 2021), in press.
‘A Universal Classic? El alcalde de Zalamea/The Mayor of Zalamea on the Contemporary Stage and Screen’ in A Companion to Calderón de la Barca, eds. Roy Norton and Jonathan Thacker (Woodbridge: Tamesis, 2021), in press.
‘Casi cuarenta: crónica sentimental de los 90’ in Cine y cultura popular en los 90: España-Latinoamérica, eds. Manuel Palacio and Vicente Rodríguez Ortega (Berlin: Peter Lang), 159-72.
´The pedagogic potential (and limitations) of cinematic adaptations´ in Spanish Golden Age Texts in the Twenty-First Century: Teaching the Old through the New, eds. Idoya Puig and Karl McLaughlin (Oxford: Peter Lang, 2019), 227-48.
'An (early) modern classic: Fuente Ovejuna in contemporary Spain' in The Norton Critical Edition of Golden Age Theater, ed. Barbara Fuchs (New York: W.W. Norton and Company, 2018), 501-30.
‘Musical affect, nostalgia and modernization: foreign soundtracks in twenty-first century Argentine, Chilean and Mexican cinema’ in The Blackwell Companion to Latin American Film, eds. Maria Delgado, Stephen Hart and Randal Johnson (Chichester: Wiley-Blackwell, 2016), 201-16.
‘The future of nostalgia: re-vindicating Spanish actors and acting in and through cine de barrio’ in Performance and Spanish Film, eds. Dean Allbritton, Alejandro Melero and Tom Whittaker (Manchester: Manchester University Press, 2016), 217-39.
'Mapa teatral del exilio republicano en el Reino Unido' (co-authored with Helena Buffery and Samuel Llano) in El exilio teatral republicano de 1939 en Europa, ed. Mario Martín Gijón (Seville: Renacimiento, 2015), 17-55.
'Pepe Estruch and the performance of Golden Age drama: International relationships under Franco and democratic theatrical cultures' in Remaking the Comedia: Spanish Classical Theater in Adaptation, eds. Susan Paun de García and Harley Erdman (Woodbridge: Tamesis, 2015), 55-64.
'Introduction: Spanish films (1992-2012): two decades of cinematic production and critical discourse'; 'Back to the Future: (Re-)packaging Spain’s troublesome past for local and global audiences'; 'Acting and directing in Spain: Historicizing stardom and the author-function'; 'Sex, art and commerce: Penélope Cruz and Isabel Coixet tackle Philip Roth in Elegy (2008)'; 'How to make commercial films now' (with Mercedes Gamero); and 'Round table discussion: Fernando Canet, José Luis Guerín, Isaki Lacuesta and Luis Miñarro' (with Fernando Canet) in (Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema, eds. Duncan Wheeler and Fernando Canet (Bristol: Intellect, 2014).
'También la lluvia/Even the Rain (Iciar Bollan, 2010): social realism, transnationalism and (neo-)colonialism’ in Spanish Cinema 1978-2000: Auteurism, Politics, Landscape and Memory, eds. Maria M. Delgado and Robin W. Fiddian (Manchester: Manchester University Press, 2013), 239-55.
'Beyond the black legend of Calderón's wife murder-plays: amorous strife, violence and the comedia' in On Wolves and Sheep: Exploring the Expression of Political Thought in Golden Age Spain, ed. Aaron Kahn (Newcastle: Cambridge Scholars Publishing, 2011), 113-146.
'La película duende?: María Teresa León, Rafael Alberti and alternative traditions of resurrecting Golden Age drama' in Stages of Exile, ed. Helena Buffery (Bern: Peter Lang, 2011), 71-93.
'A modern-day Fénix?: Lope's cinematic revivals', in A Companion to Lope de Vega, eds. Alexander Samson and Jonathan Thacker, (Woodbridge: Tamesis, 2008), 285-99.
Reviews: Bulletin of the Comediantes; Bulletin of Spanish Studies; Comedia Performance; Estreno; Hispanic Research Journal; International Journal of Iberian Studies; Modern Drama; New Cinemas; Portuguese Literary and Cultural Studies; Revista de libros; Shakespeare Bulletin; Studies in Spanish and Latin American Cinemas; Journal of World Popular Music; Times Literary Supplement.
Media Citations/Interviews: ABC, El País, BBC Radio Scotland, BBC World Service Newshour, Chapel FM, Garage (VICE UK), ITV Granada Reports, The Observer, The Spectator, Radio 1 Poland, Radio Sputnik, El Norte de Castilla, La Nueva España, Times Higher Education, Radio Marca.
Regular Contributor: La Revista (British-Spanish Society); La Divisa.
´Fariña: cocaine coast docks in Madrid´, The Theatre Times, 1 October 2020.
‘Bullfighting in the era of COVID-19’, The Economist, July 25 2020.
‘Ifigenias de barrios bajos’ (co-authored with María Bastianes), El ciervo, July-August 2020: 34.
‘Popular Music in Portugal’, The Oxford Magazine, Eighth Week, Michaelmas, 2019: 21-22.
‘Giorgio Moroder: ‘Europop en tiempos de Brexit’, Quimera, Oct 2019: 42-44.
´The Málaga Festival: Cinema, celebrity and culture´, Film Quarterly, 73.1: 85-91.
´The Drugs Do (Sometimes) Work: Sustaining EDM and the Festival Experience´, Festival Insights, 1 August 2019.
'Made in Chihuahua: Films, funding and frontiers in Northern Mexico' (co-authored with Rebecca Jarman), Mediático, 11 Mar 2019.
'Roma: Mexican film industry blooms with Oscar nominations a century after its origins in the Chihuahua desert' (co-authored with Rebecca Jarman), The Conversation, 30 Jan 2019.
'The long Transition: in conversation with Felipe González’, Jacobin, 6 December 2018.
'Is there a future for bullfighting in the city that Hemingway loved most?', Prospect, 22 August 2018.
'Lawn tennis: The Birmingham-Basque connection', Revista de libros, 25 June 2018.
'Crucible: Art, Bulls and Music', The Oxford Magazine, Noughth Week, Hilary, 2018: 7-8.
'David Bowie, Art Collector', Ohio Edit, 17 December 2017.
'After the vote', London Review of Books, 2 November 2017: 45.
'Discussing Catalonia', Oxford Today, 11 October 2017,
‘Diary: death of a bullfighter’, London Review of Books, 13 July 2017: 45.
'Sister Act(s): Catholic school girls rule', European Stages, 9 (2017).
'Francis Bacon en el Museo Guggenheim Bilbao', El cuaderno, 22 May 2017.
'David Bowie y el arte moderno', Revista de libros, 15 March 2017.
‘El diletante inglés: David Bowie en la casa de subastas’, Revista de libros, November 2016.
‘In search of lost time: nostalgia, authenticity and the tribute band phenomenon’, The Oxford Magazine, Second Week, Michaelmas, 2016: 13-14.
‘Exhibitionism: Los Rollings en un mundo post-Warholiano’, El estado mental, August 2016.
‘Letter from Madrid: a conversation with Alfonso Guerra’, Political Quarterly, 87.3 (2016), 312-17.
‘Bajarse al moro/Going Down in Morocco’ in ’10 great films set in Madrid’, BFI Online, 12 August 2016.
‘Lust for life: apoteósico concierto de Iggy Pop en el Royal Albert Hall’, El estado mental, 29 July 2016.
‘How the Stones freed Spaniards from Franco’, Newsweek, April 9.
‘Exhibitionism: why the Rolling Stones are still the greatest rock and roll brand in the world’, The Conversation, April 5 2016.
‘Madrid rock city: the return of AC/DC’, Los Angeles Review of Books, 23 February 2016.
‘Bullfighting in Spain: still in the political arena’, co-authored with Lucy Bell, The Huffington Post, 18 December 2015.
‘Anatomy of a democracy: Javier Cercas’, The White Review, November 2015.
‘Telling tales out of school: impact, literature and the academy’, Review 31, November 2015.
‘Sonorama comes of age’, Festival Insights, 11 November 2015.
‘EU ruling hardly a victory for democracy or animal rights’, Newsweek, 11 November 2015.
‘Goya: the essence and the artifice’, The Times Literary Supplement, 6 November 2015: 19-20.
‘It was Spain’s national fiesta. Now bullfighting divides its people', The Observer, 25 October 2015: 27.
‘Crónica sentimental del Birmingham de los 80’, El estado mental, 10 August 2015.
‘Rock or bust: ageing, alcohol, and popular music’, co-authored with Gemma Matthewman, Hektoen International: A Journal of Medical Humanities, Winter 2015.
‘Noche en los museos: Exposiciones fotográficas de Blondie, el punk y otras movidas’, El estado mental, 1 March 2015.
‘Verano azul: por qué vamos a los festivales?’, Fronterad, 25 December 2014.
‘Report from Madrid’, European Stages, 3 (2014).
‘Julio Iglesias, el embajador universal’, JotDown, August 2014.
‘Lo que entendemos por cine español’, Academia: revista de la Academia de Cine, April (2011), 21-23.
‘La presencia del teatro español en la cartelera inglesa durante el siglo XXI’, Contraviento, 8 (2009), 18-21.
‘Bruce Springsteen and Spain’ in For You: Original Stories and Photographs by Bruce Springsteen's Legendary Fans, ed. Lawrence Kirsch (Montreal: Lawrence Kirsch Communications, 2007), 184.
Keynote Addresses and Invited Talks
´The place of Golden Age drama in twenty-first century Spanish theatre´, Invited Paper, Resituating the Comedia, Making Classics: Canonicity and Performance, UCLA (Los Angeles and Pasadena), 12-13 November 2020.
´Art and theatre in Early-Modern Seville´, Invited Lecture, University of Wisconsin, Madison, 31 March 2020 (Postponed due to COVID-19)
‘Cervantes on screen', Keynote Address, Reel Iberia: Media Representations of the Iberian Past Conference, University of Illinois at Urbana-Champaign, 27-28 March 2020 (Postponed due to COVID-19).
´The De Osma studentship, an archival apprenticeship´, Plenary Address, Osma Centenary Symposium, The Bodleian Library, University of Oxford, 7 February 2020.
‘La puesta en escena de los clásicos españoles´, Invited Lecture, Instituto de Artes del Espectáculo, Universidad de Buenos Aires, 13 December 2019.
'Culture and the Spanish Transition', Keynote Address, Arts and Models of Democracy in Post-Authoritarian Iberian Peninsula Conference, University of Huddersfield, 28-29 Novemeber 2019.
'La puesta en escena de El alcalde de Zalamea´, Keynote Address, Jornadas de Teatro Clásico de Almería, Almería, 28-30 March 2019.
'Fariña: a litmus test for Spanish democracy?', Invited Paper, Mobilizing Affect: Populism and the Future of Democratic Politics in Spain Symposium, University of Cambridge, 22-23 February 2019.
'Juncal, la última saga nacional?', Keynote, Cinema, TV and Popular Culture in the 1990s (Spain-Latin America) Conference, Universidad Carlos III, 17-19 Oct 2018.
'Madrid city nights: La Movida, la Movida and the 21st century musical', Spanish, Portuguese and Latin American Studies Research Seminar, University of Manchester, 6 December 2017.
'La puesta en escena del teatro áureo ayer, hoy y mañana: Pepe Estruch como caso de estudio', Universitat Autónoma de Barcelona, Barcelona, Invited Lecture, 29 March 2017.
‘The generation game: Podemos, Javier Cercas and the (im)possibility of progressive politics in Spain’, Spanish, Portuguese and Latin American Studies Research Seminar, UCL, 8 February 2017.
‘La recepción de la literatura del Siglo de Oro en la Inglaterra isabelina’, Invited Paper, Recepción e interpretación del Quijote (1605-1830) Congreso Internacional, Universidad de Oviedo, Oviedo, 24-25 November 2016.
'El travestismo áureo en los escenarios (inter-)nacionales del Siglo XXI: La vida es sueño en España y Don Gil of the Green Breeches en Gran Bretaña', Keynote Address, XXXIII Jornadas de Teatro Clásico de Almería, 21-24 April 2016.
‘State of the nation? The past, present and future of bullfighting in Spain’, School of Languages, Literature and Cultural Studies Research Seminar, Trinity College, Dublin, 29 March 2016.
'European film in the modern-language classroom', Invited Paper, ISMLA Annual Conference, 30 January 2016.
'Bullfighters, celebrity culture and soft power in 1960s Spain', Institute of Modern Languages Research, Senate House, London, 2 June 2015.
'Traduciendo los clásicos: de Miguel de Cervantes a José Luis Alonso de Santos', Departamento de traducción y interpretación, Universidad de Málaga, 18 May 2015.
'Crónica sentimental de la Birmingham de los años 80', En los ochenta... culturas audiovisuales en los extrarradios de los relatos Research Seminar Series, Universidad Carlos III, Madrid, 13 November 2014.
'Stop making sense: women filmmakers in Spain', University of Liverpool Modern Languages and Cultures Research Seminar, 5 November 2014.
'Anglo-Spanish literary relationships, then and now', Invited Paper, Transnational Networks and Systems in Early Modern Theater Conference, University of Oxford, 23-26 June 2014.
‘The linguistic and cultural challenges of translating nostalgia’, Invited Paper, Genre and Memory Joint Workshop, University of Birmingham, 28 September 2013.
‘Television personalities: broadcasting female punks during the Transition’, Invited Paper, Women Then and Now in Spanish Theatre, Cinema and Television International Conference, Trinity College, Dublin, 25-27 June 2013.
‘Cuéntame cómo pasó? Las relaciones bilaterales entre la legislación sobre la violencia de género y el cine español’, Invcited Paper, GECA 4: Workshop Internacional de Investigación’, Complutense, Madrid, 15-16 April 2013.
'What the Iranian Shah, Hola magazine and heroin use have to tell us about La Movida and Spain's transition to democracy?', Department of Spanish, Portuguese and Latin American Studies Research Seminar, King’s College, University of London, 16 January 2013.
'What, if anything, do we know about the censorship of popular music under Franco', Invited Paper, Censorship and Cultural Central Symposium, National University of Ireland, Maynooth, 23 May 2012.
'Mirando hacia atrás para seguir adelante: la puesta en escena de la comedia en España desde 1939, y la creación de un Lope para el siglo XXI', Invited Paper, Lope de Vega: Reescrituras desde el siglo XX, CCHS-CSIC, Madrid, 1-2 December 2011.
'Beyond the black legend of Caldern's wife murder-plays: amorous strife, violence and the comedia', Department of Spanish Research Seminar, University of Oxford, 25 January 2011.
'Golden Age drama in exile', Hispanic Studies Research Seminar, University of Cork, 17 December 2010.
'Ways of performing national classical drama in Spain', Out of The Wings Symposium, Plenary Address, University of Oxford, 18-19 March 2010.
'Imágenes violentas?: la representación de la violencia de género en el cine inglés y estadounidense', Public Lecture, Universitat de Valencia, 15 December 2009.
'The ones that got away: Maria Teresa León, La dama duende and "anti-Spanish" cinematic adaptations of Golden Age drama', Study of Hispanic Exile Research Seminar, University of Birmingham, 23 October 2009.
´Investigación, docencia, puesta en escena y mundo editorial: una nueva propuesta con Peter Lang para los estudios áureos´, XIX Congreso de la AITENSO, Instituto del Teatro de Madrid, 14-17 October 2019.
'Vázquez Montalbán y los quinquis', III Congreso Internacional Manuel Vázquez Montalbán, Universitat Pompeu Fabra, 10-12 December 2015.
'The sights and sounds of nostalgia: The twenty-first century Spanish musical', AHGBI 60th anniversary conference, University of Exeter, 13-15 April 2015.
'Corín Tellado, celebrity culture and Spain’s transition to democracy', Democracy and the Arts in the Contemporary Hispanic World, University of Birmingham, 25-27 June 2014.
'The role of Catalan theatre in Spain's Transition to democracy', International Federation for Theatre Research Conference, Barcelona Institut de Teatre, 22-26 July 2013.
'Celebrity punk rockers? Alaska and Mario: A typically Spanish MTV reality show', Europop, Inaugural Conference of the European Popular Culture Association, College of Fashion, University of the Arts, London, 11-13 July 2012.
´Book presentation for Following Franco´, Instituto Cervantes Manchester, 25 March 2021.
´Thinking about Spanish national culture(s)´, Dulwich College and the Southwark Schools´ Learning Partnership´, 24 November 2020.
‘La puesta en escena de los clásicos del Siglo de Oro en la Europa del siglo XXI", Public Lecture, Instituto Cervantes Chicago, 2 April 2020 (Postponed due to COVID-19)
'How dangerous is bullfighting?', Public Lecture, 1152 Club (Kirkstall Abbey), 22 November 2019.
'Talleres: estrategias de enseñanza bilateral en teoría del cine, historia y práctica', Semana del cine en Chihuahua, 12-17 November 2018.
‘Dash Café: Catalan Art and Politics Round Table’, Rich Mix, London, 27 June 2018.
'In conversation with Marta Sanz', University of Leeds, 16 May 2018.
‘What counts as literature? How and why I translated Corín Tellado into English’, University of Oviedo, Book launch, 24 November 2016.
‘Too little too late or too much too soon: debates surrounding the policing of domestic violence in Spain’, What is to be Done About Violence Against Women?, Policing Research Partnership, University of Liverpool, 14 July 2016.
‘No bull: celebrity toreros in consumer(ist) Spain’, Club taurino de Londres, London, 9 April 2015.
‘Introductory talk to film screening of Bodas de sangre’, Opera North, Howard Assembly Rooms, Leeds, 14 February 2015.
‘Introduction to film screenings as part of "Berlanga and Bardem" retrospective’, 28th Leeds International Film Festival, Various venues, 5-20 November 2014.
‘La voz de los clásicos: recital de la CNTC y encuentro con el público’, Leeds Public Library, 23 October 2014.
‘Traducción y estudio de la obra de José Luis Alonso de Santos en el extranjero’, Curso de Investigación y Creación en la obra de José Luis Alonso de Santos, Urueña (Valladolid), 14-18 July 2014.
‘In conversation with Ángeles González-Sinde’, International Writers at Leeds, Leeds Public Library, 18 March 2014.
‘Roundtable discussion with the cast of Don Gil de las calzas verdes’, Ustinov Studio, Theatre Royal Bath, 28 November 2013.
‘Spanish Book Launch and Presentation of Golden Age Drama in Contemporary Spain: The Comedia on Page Stage and Screen’ Ocho y Medio Bookshop, Madrid, 7 November 2012.
‘UK Book Launch and Presentation of Golden Age Drama in Contemporary Spain: The Comedia on Page Stage and Screen’, Instituto Cervantes, Manchester, 27 September 2012.
'Ongoing professional training on domestic violence', NHS Wakefield, 30 March 2011.
Association of Hispanists of Great Britain and Ireland, Annual Conference, University of Leeds, 26-28 April 2018 (Local Host/Organiser).
'Contemporary Spanish Screen Media and Responses to Crisis and Aftermath', University of Manchester, 31 March-1 April 2017 (Co-organiser).
Anglo-Catalan Society, Annual Conference, University of Leeds, 11-13 November 2016 (Local Host/Organiser).
'Popular Culture and Nostalgia in Post-Authoritarian States', IMLR, 1 July 2016 (Lead Organiser).
Current and Recent Postgraduate Students
Dr Ian Ellison, 'Traumatic pasts, cosmopolitanism, and nation-building in contemporary literature', PhD Funded by The Leverhulme Trust.
Dr Juan Rodríguez Santamaría, 'Landscape, nationalism and cosmopolitanism in contemporary Uruguayan and Ecuadorian poetry', PhD.
Ms Hayley O’Kell, ‘The Worth of Women: Hispanic women’s responses to the Early Modern querelle des femmes’, PhD Funded by WRoCAH.
Ms Sarah Browne, 'The media and regional identities in Spain', PhD.
Mr Álvaro González Montero, ‘The diaries of Jaime Gil de Biedma’, M.Res.
Ms Sarah Louise Ellis, ´The Spanish picaresque´, M.Res.
Grants, Awards and Scholarships
Spanish Finance Ministry, Research Excellence Awards, ‘Cine y televisión en España en la era del cambio digital y la globalización (1993-2008)’, Co-investigator (Principal Investigator: Manuel Palacio [Carlos III University, Madrid]), 2020-2023.
The European Commission, Marie-Curie Individual Fellowship, 'Spanish Theatre in the UK (1982-2019)', £163,383, Co-investigator/Mentor (Prinicpal Investigator, Maria Bastianes), 2019-2021.
The British Council, 'Higher Education Links: UK and Mexico', £20.000, Co-investigator/ Mentor (Principal Investigators: Rebecca Jarman, University of Leeds; and César Eduardo Gutiérrez, University of Chihuahua), 2018.
Economic and Social Research Council, ‘Sustaining and enhancing research and PGT collaboration in a post-Brexit landscape’, £1,000, Principal Investigator, 2017.
Spanish Finance Ministry, Research Excellence Awards, ‘Cine y televisión 1989-1995: modernidad y emergencia de la cultura global’, £40,000, Co-investigator (Principal Investigator: Manuel Palacio [Carlos III University, Madrid]), 2016-2019.
British Academy/Leverhulme Small Grant Scheme, ‘Responses of Spanish cinema and audiences to social crisis post-2008’, £5,000, Co-Investigator (Principal Investigator: Christopher Perriam, University of Manchester), 2016.
University of Leeds Student Education Fellowship, £5,000, 2016: Using theatre and translation as pedagogical tools.
Hispanex Fund for International Collaboration, Spanish Ministry of Culture, Education and Sport, £3,000, 2015.
Special Award for Publication of Golden Age Drama in Contemporary Spain, The Anglo-Spanish Society and Spanish Embassy in London, £500, 2012.
Leverhulme Research Fellowship, £58,000, Principal Investigator, 2010-2012.
Sir George Labouchere Fund for Spanish Studies, £5,000, 2008-2009.
De Osma Studentship, Vice-Chancellor, Oxford University and Instituto de Valencia de Don Juan, Madrid, £3,250, 2008.
Scatcherd European Scholarship, £3,250, 2008.
AHRC Doctoral Award (Full - Fees plus maintenance grant), 2006-2008.
Hargreaves-Mawdsley Research Scholarship, Wolfson College (£5,000), 2005-2006
AHRB, Research Preparation Masters Award (Full - Fees plus maintenance grant), 2004-2005
Kolkhorst Exhibition, University of Oxford, 2004
Editor (Hispanic Studies): Modern Language Review
Series Editor, ‘Spanish Golden Age Studies’, Peter Lang International Academic Publishers.
Trustee: Modern Humanities Research Association
Editorial Advisory Board: 'Spanish and Latin American Series', University of Wales Press; MHRA New Translations; Bulletin of the Comediantes; Tecmerin: Revista de ensayos audiovisuales; Trasvases entre la literatura y el cine; Ibero-American Screens/Pantallas iberoamericanas, Peter Lang International Academic Publishers.
Subject Editor (Peninsular Spain): The Literary Encyclopedia
Reviews Editor: New Cinemas (Journal of Contemporary Film)
Membership Secretary and Executive Committee Member: Association of Hispanists of Great Britain and Ireland (2012-2017)
Visiting Professor/Fellow: Center for 17th- and 18-Century Studies, UCLA (2012-2013); Department of Audio-Visual Communication, Carlos III (Madrid) (2014-15, 2016-2017); St Catherine's College, University of Oxford (2015-2016)
Peer Reviewer: Arbor; Arizona Journal of Hispanic Cultural Studies; Bulletin of the Cervantes Society of America; Bulletin of Hispanic Studies; Bulletin of Spanish Studies; Comparative Critical Studies; Contemporary Theatre Review; Disability Studies Quarterly; Feminist Media Studies; Forum for Modern Language Studies; Hispania; Hispanic Research Journal; International Journal of Iberian Studies; Journal of European Popular Culture; Journal of Romance Studies; Journal of Spanish Cultural Studies; Letras Peninsulares; New Cinemas; Perspectives: Studies in Translation Theory and Practice; Revista Canadiense de Estudios Hispánicos; Revista de Estudios Hispánicos; Studies in Spanish and Latin American Cinemas; The Translator and Interpreter Trainer.
Programming Advisor: Leeds International Film Festival; Birds Eye View Film Festival (BFI)
Regular Guest Speaker: The Prince’s Trust Teaching Institute
Reader/Reviewer: Bloomsbury; Cambridge University Press; The Carnegie Trust; John Dryden Translation Competition (British Comparative Literature Association); Edinburgh University Press; Manchester University Press; Iberoamericana/Vervuert; The Leverhulme Trust; MHRA Texts and Dissertations Series; Oxford University Press; Palgrave Macmillan; Routledge; IMLR Books; Spanish State Research Agency
Translator: Royal Shakespeare Company; La Phármaco Dance Company
External Examiner (Undergraduate Programmes): University of Bangor; University of Durham; UCL
PhD Examiner: Universidad de Oviedo; Universitat Autónoma de Barcelona; Universidad Carlos III de Madrid; Universidad Complutense de Madrid; Universitat Jaume 1, Castelló; University of Oxford
Jury Member: London Hispanic Theatre Festival
Member: AHRC Peer-Review College
Member: Grupo de Estudios Cervantinos
Member: N8 Policing Research Partnership
Former Director (2014-2020), International Writers at Leeds.
Member Digital Programme Approval University Group
Programme Manager, SPLAS
Acting Director (Second Semester, 2020-2021) of International Affairs
Co-Convenor, European Popular Musics Research Group.
SRDS Reviewer/Research Mentor
Golden Age Drama and Prose Fiction; Hispanic and European cinema(s); Translation; Popular Music; Contemporary Spanish Culture and Politics; Twentieth-Century Spanish Theatre; Gender and Sexuality<h4>Research projects</h4> <p>Any research projects I'm currently working on will be listed below. Our list of all <a href="https://ahc.leeds.ac.uk/dir/research-projects">research projects</a> allows you to view and search the full list of projects in the faculty.</p>
I am a member of the University's Digital Approval Group and the Leeds Institute for Teaching Excellence. In 2016, I was awarded a University Student Education Fellowship to foster international collaboration and develop pedagogical tools on theatre and translation. I have participated in Erasmus teaching exchanges, and have taught post-graduate courses in Mexico, Spain and the United States.
I teach on a range of modules from World Literature, to Spanish and Latin American Studies,
Research groups and institutes
- Spanish, Portuguese and Latin American
- Digital cultures
- Digital Cultures
- Literary studies
- Popular culture
- Theatre, Music and Performance