Music Research Colloquia


Colin Huehns, Royal Academy of Music
Thursday 2 October 2014, 16:30-18:00
The Book of Songs (诗经) and Erhu Compositions by Liu Tianhua (刘天华): Historical Sources for the Study of Chinese Music

Christopher Roberts, University of Leeds
Thursday 9 October 2014, 16:30-18:00
‘She played extremely well on the harpsichord. Her fortune likewise was large’: the musical and romantic pursuits of John Courtney, an eighteenth-century Beverley gentleman

Renee Timmers, Sheffield University
Thursday 16 October 2014, 16:30-18:00
Interrelations between cross-modal and emotional meaning in three performances of Schubert’s ‘Die Stadt’

Laura Anderson, University of Leeds
Thursday 23 October 2014, 16:30-18:00
Sonic Self-Reflection: Jean Cocteau’s soundscape for Le Testament d’Orphée

James Mooney, University of Leeds
Thursday 30 October 2014, 16:30-18:00
Hugh Davies’s Electronic Music Documentation, 1961-68

James Roberts, Leeds University Business School
Thursday 6 November 2014, 16:30-18:00
Corporate capabilities and the challenges of digitisation: lessons from the popular music and broadcasting sectors

Mark Doffman, Oxford University
Thursday 13 November 2014,16:30-18:00
Good time? Timekeeping in contemporary music

Lauren Redhead, Canterbury Christ Church University
Thursday 20 November 2014, 16:30-18:00
Dual Roles and Split Personalities: Undertaking Practice-Led Research in Interdisciplinary and Collaborative Contexts

Gretchen Larsen, University of Durham
Thursday 27 November 2014, 16:30-18:00
Pushing the Boundaries: Groupies and the Trangression of Fandom

Seth Josel, contemporary guitarist