Richard Hibbitt

Richard Hibbitt


Director of Comparative Literature

Co-Director of the Centre for World Literatures:

My first degree was in French and German at Royal Holloway, University of London, which included a year working as an assistant in Strasbourg. After this I spent a year as a DAAD-funded visiting student at the University of Augsburg, followed by a MA in Comparative Literature at the University of East Anglia. I then took a PGCE at the University of Exeter and spent a year teaching French and German at various schools in London and Surrey. After this I returned to UEA to study for a PhD in Comparative Literature, during and after which I taught French there part-time. Before joining the Department at Leeds in 2007 I held two one-year Lectureships in French, at the National University of Ireland, Galway and at the University of York.



Other Capitals of the Nineteenth Century: An Alternative Mapping of Literary and Cultural Space, ed. by Richard Hibbitt (New York: Palgrave Macmillan, 2017)

Saturn's Moons: W. G. Sebald - A Handbook, ed. by Jo Catling and Richard Hibbitt (Oxford: Legenda, 2011)

Dilettantism and its Values: From Weimar Classicism to the Fin de Siècle


Two Sides of the Straits: An Anthology of Gallipoli Poems in English and Turkish, trans. by Berkan Ulu, ed. by Richard Hibbitt and Berkan Ulu (York: White Rose University Press, forthcoming 2019). Open access publication; free to download or read online

Oysters, Nightingales and Cooking-Pots: Selected Poetry and Prose of Tristan Corbiere, trans. by Christopher Pilling, ed. by Richard Hibbitt and Katherine Lunn-Rockliffe (York: White Rose University Press, 2018). Open access publication; free to download or read online here:

Journal issues

Comparative Critical Studies, special edition on ‘Fin-de-sicle cosmopolitanism’, edited by Stefano Evangelista and Richard Hibbitt, 10.2 (2013)

Comparative Critical Studies, special online edition on ‘Possible Worlds’, edited by Marina Warner with Richard Hibbitt, 9.3 (2012)

Articles, book chapters and other publications 

‘Nationalism and Cosmopolitanism in Nineteenth-Century France’, in Transnational French Studies, edited by Charles Forsdick and Claire Launchbury (Liverpool: Liverpool University Press, forthcoming 2018)

‘Baudelaire and the Dilettante Work Ethic’, in The Labour of Literature in Britain and France, 1830-1930: Authorial Work Ethics, edited by Marcus Waithe and Claire White (London: Palgrave, forthcoming 2018)

‘The Symbolist Novel as Transnational Capital’, in Other Capitals of the Nineteenth Century: An Alternative Mapping of Literary and Cultural Space, ed. by Richard Hibbitt (London: Palgrave, 2017), pp. 247-65

‘W. G. Sebald et le roman: « c’est pas vraiment mon style , in W. G. Sebald: littrature et thique documentaire, ed. by Muriel Pic and Jrgen Ritte (Paris: Presses universitaires de la Sorbonne, 2017), pp. 63-78

‘Bruges as Symbolic Capital’, in ‘Literary Communities in the Late-Nineteenth and Early-Twentieth Centuries: Space, Place and Identity’, special issue of Forum on Modern Language Studies, edited by Philip Bullock, Stefano Evangelista and Gesa Stedman, 2017 (53.1), 349-59

‘Baudelaire, Baumgarten and Sensate Knowledge’, in Aisthesis und Noesis. Zwei Erkenntnisformen vom 18. Jahrhundert bis zur Gegenwart, edited by Hans Adler and Lynn Wolff (Munich: Wilhelm Fink, 2013), pp. 85-96 

‘Inevitable Plots in the Symbolist Novel: Georges Rodenbach’s Bruges-la-morte’, in Finding the Plot: On the Importance of Storytelling in Popular Fictions, edited by Diana Holmes and David Platten (Newcastle-on-Tyne: Cambridge Scholars Press, 2013), pp. 218-33 

Two Responses to Paul Bourget: Henry James and Thomas Mann’, Comparative Critical Studies, special edition on ‘Fin-de-sicle cosmopolitanism’, edited by Stefano Evangelista and Richard Hibbitt, 10.2 (2013), 303-16:

‘Oscar Wilde and la critique impressionniste’, Cahiers victoriens et douardiens, no. 77 (Spring 2013), edited by Laurent Bury and Luc Bouvard, online:

‘Entente asymtrique?: Franco-British Literary Reception in 1908’, in Channel Packets: Franco-British Cultural Exchanges, 1880-1940, ed. by Andrew Radford and Victoria Reid (Basingstoke: Palgrave Macmillan, 2012), pp. 34-51 

'Reflections on the Fruitful Error', in Textual Wanderings: The Theory and Practice of Narrative Digression, ed. by Rhian Atkin (Oxford: Legenda, 2011), pp. 27-36

'The Artist as Aesthete: The French Creation of Oscar Wilde', in The Reception of Oscar Wilde in Europe, ed. by Stefano Evangelista (London : Continuum, 2010), pp. 65-79

'Paul Bourget's critique of fin-de-sicle cosmopolitanism', in The Cause of Cosmopolitanism: Dispositions, Models, Transformations, ed. by Laura Rascaroli and Patrick O'Donovan (Oxford : Peter Lang, 2010), pp. 173-87

'Le roman d'analyse et le romanesque: la reprsentation de l'hritage psychologique chez Paul Bourget', in Romanesque et Histoire, ed. by Christophe Reffait (Collection Romanesques, vol.  III ; Paris: Encrage, 2008), pp. 175-89

'Oscar Wilde et Paul Bourget : Deux vies en parallle', rue des beaux-arts, 17 (Nov. / Dec. 2008), ed. Danielle Gurin (online):

'Dilettantism and Irony: Jules Laforgue and C. M. Wieland', Forum For Modern Language Studies, 44.3 (July 2007), 290-300

'"This savage parade": Recent translations of Rimbaud', The Cambridge Quarterly, 36.1 (February 2007), 71-82 (review article)


  • Director of Comparative Literature
  • Co-Director, Centre for World Literatures

Research interests

My research interests encompass two overlapping areas. The first is nineteenth- and early twentieth-century French and comparative literature, with particular emphases on cultural exchange, the reception of fin-de-sicle literature, and the concepts of dilettantism and cosmopolitanism. This research has led to publications on Baudelaire, Bourget, Laforgue, Rimbaud, Rodenbach, Henry James, Thomas Mann and Oscar Wilde. I am currently working on the transnational cultural field in the nineteenth century, which is linked to my membership of Writing 1900, an international and cross-disciplinary research network. I am also a member of the AHRC-funded network Decadence and Translation:

My second area of research is informed by my wider interest in literature from a comparative perspective, stretching from Montaigne to W. G. Sebald.  This includes my first book, Dilettantism and its Values: From Weimar Classicism to the Fin de Sicle (Legenda, 2006), and an ongoing interest in digression, experimentation and narratology. In 2011 I co-edited with Dr Jo Catling (UEA) a volume of essays on W. G. Sebald, entitled Saturn's Moons: W. G. Sebald - A Handbook (Legenda). Recently I have been collaborating with Dr Berkan Ulu of Inonu University (Turkey) on a project investigating poetry from the Gallipoli Campaign, funded by an AHRC Gateways to the First World War public engagement award:  

I am on the Executive Committee of the British Comparative Literature Association and one of the General Editors of its journal Comparative Critical Studies, published by Edinburgh University Press: I am also on the Executive Committee of the European Society of Comparative Literature

At Leeds I am a member of the Literary Studies Research Group in the School of Modern Languages and Cultures and one of the founding organisers of International Writers at Leeds, a programme of visiting writers in partnership with Leeds Central Library.

I am interested in supervising research on the following areas: French and comparative fin-de-siecle literature, culture and thought, cosmopolitanism, cultural exchange, reception and translation during the late nineteenth- and early twentieth-century;  different conceptions of dilettantism; comparative topics, particularly with a focus on literature in French and German; world literature.

<h4>Research projects</h4> <p>Any research projects I'm currently working on will be listed below. Our list of all <a href="">research projects</a> allows you to view and search the full list of projects in the faculty.</p>

Student education

I teach French and comparative literature at all undergraduate levels.

Research groups and institutes

  • French
  • Cultural studies
  • Centre for World Literatures
<h4>Postgraduate research opportunities</h4> <p>We welcome enquiries from motivated and qualified applicants from all around the world who are interested in PhD study. Our <a href="">research opportunities</a> allow you to search for projects and scholarships.</p>