Having previousy completed my BA (Hons) in English and MA in English Literary Studies at the University of Exeter, I joined the university of Leeds as a Postgraduate Researcher in the School of English in 2018, supervised by Dr. Jane Rickard. My research primarily revolves around the representation of masculine bodies and embodiment in early modern literature. My doctoral research is fully funded by the AHRC through the WRoCAH Consortium.
My research interests in early modern English literature include the history and representations of the gendered body; early modern drama, especially that of the Jacobean period; civic pageantry and Lord Mayor's Shows; the history of emotions; bodily violence and vulnerability; and early modern cityscapes and ecologies.
My doctoral research is focused on the relationship between the writing of Thomas Middleton and his collaborators and the broader cultural concerns about gendered selfhood and embodiment in the early modern period. In particualr, I am interested in exploring how the style, reception and performance of Middletonian texts is distinctively collaborative and relational, challenging the claims that Middleton is "Our other Shakespeare" by considering his pervasive concern about the interrelations between subjects and objects, authorial and textual collaboration, and the relation of bodies to their environments.
My project draws on the variety of texts in Middleton’s wide-ranging literary output, which includes drama, poetry, civic pageantry, masques, and pamphlets to interrogate the plural, exteriorised, and fractured masculinities that interest and vex Middleton’s writing by attending to the mutually impactful bodily encounter between a subject and their physical and social environments. By considering his interest in plural and shifting masculinities, I will explore how this can further the critical perception of Middleton’s productive, diverse, and collaborative literary legacy. Furthermore, I argue that Middleton’s pervasive engagement with embodied masculine selves is symptomatic of his broader concerns with the role of human agency in an increasingly networked, commercialised and crowded environment in the city of London
'"No man is lifted but by other hands": Collaboration, Authority and Thomas Middleton" at Shakespeare and Co.: On the Page and On the Stage, University of York (May 2019)
'"The River deck't in the richest glory": The Thames and the Water Pageants in Thomas Middleton's Lord Mayor's Shows, 1613-26' at EMREM Ninth Annual Symposium: Powerful Places, University of Birmingham (May 2019)
'Early Modern Embodiment, Masculinities, Thomas Middleton' at Cabinet of Curiosities' Spring Colloquium, Univeristy of York (February 2019)
- MA English Literary Studies (University of Exeter)
- BA English (University of Exeter)