Sam Mason

Profile

Debates about which actions are morally wrong and why are familiar. But what is it for something to be morally wrong in the first place? My doctoral thesis defends a sentimentalist analysis of the concept and property of moral wrongness in terms of moral blameworthiness. I argue that this account has important consequences for meta-ethical debates concerning the connection between moral wrongness and normative reasons, and the value of deontic moral concepts.

<h4>Research projects</h4> <p>Some research projects I'm currently working on, or have worked on, will be listed below. Our list of all <a href="https://ahc.leeds.ac.uk/dir/research-projects">research projects</a> allows you to view and search the full list of projects in the faculty.</p>

• 'Shh! Encounters in the Unquiet Library' Seminar Series
• From Lab to Screen: A Response to AI’s Threat to the Media Localisation Industry
• 'Irregular' Art Schools: Methods for Supporting the Professional Development of Learning Disabled Artists
• 'What’s on?' Rethinking class in the television industry
• (S)worn State(s)
• A Cultural History of Disability in Byzantium, c. 1000-1200
• A European AI On Demand Platform and Ecosystem (AI4EU)
• A zero-sum game? Exploring a both-and approach to biological disorder and religious experience in relation to Christians who experience psychosis and/or mania
• Abuse in Religious Settings
• Accumulation and Empire
• ACCURAT
• Achieving healthy young minds
• Acting on the Margins: Arts as Social Sculpture (AMASS)
• Aesthetic Form & Uneven Modernities
• Agents of Future Promise: The ideological use of children in culture and politics (Britain and France, c. 1880-c. 1950)
• Alone against Secularisation? Gender identity in Anglican and Catholic women (England-Spain, 1960-2015)
• An Intelligent Simulation Tool Connecting Consumer’s Sensory Requirements on Garment with Fabric Objective Tactile Properties
• Animal Desire: A Theory of Desire and Practical Rationality
• Animist Engagements: Creativity, Ecology and Indigeneity. Sadler Seminar Series 2019/20
• Antique Dealers: the British Antiques Trade in the 20th Century, a cultural geography
• Arctic Encounters
• Assessing core language skills at the beginning of secondary school in the Born-in-Bradford cohort
• ASSIST
• Augmenting the Body: Disability, Care and the Posthuman
• Autism in Theology
• Back To Baselines in Circular Fashion and Textiles - Establishing a Baseline to Analyse the Sector’s Sustainability Status
• BAT Monitoring via novel Assays and smart Nano-electronics (BATMAN)
• Beyond Tomorrow. German Science Fiction and Utopian Thought in the 20th and 21st Century
• Bibliotherapy for Refugees and Asylum Seekers
• Biofilm Control in Ultra Low Temperature Laundry (BioCULT)
• Bradford’s National Museum
• Bridges
• Bridging The Gaps: Mixed Reality Performance of Chinese Opera in Rural and Urban Shanghai
• Bridging the Gaps: mixed reality performance of Chinese Opera in Shanghai's rural and urban heritage sites
• British Romantic Writing and Environmental Catastrophe
• Can Professional Institutions Save the World? Climate Change, Ethical Transformation, and the Lessons of History 
• Centre for Cultural Value
• Centre for Hidden Histories
• Changing the Story: Building Inclusive Civil Societies with, and for, Young People in 5 Post-Conflict Countries
• Characterizing the effects of hearing loss and hearing aids on the neural code for music
• Chasing Status: The Sustainability of the Freelance Translation Profession in the United Kingdom
• Children's experience, understanding, and use of adjectives across the socioeconomic spectrum
• Chinese Theatre
• Climate Change, Ethics and Responsibility
• Co-creating guidelines for the use Q-BEx for language screening
• Co-designing methods with older people to understand the role of digital technologies in social isolation
• Co-producing Cultural Policy
• Coercive Control: From Literature into Law
• Colonial subjects and citizens in the French (Internal) Resistance
• Communicating Copyright: An Exploration of Copyright Discourses in the Digital Age
• Communicating the Pandemic: Improving Public Communication and Understanding
• Communication and Creativity
• Community Arts Against Antibiotic Resistance in Nepal (CARAN)
• Community documentation of biocultural diversity in the eastern Yemeni province of al-Mahrah
• Computational Agent Responsibility
• Concentrationary Memories: The Politics of Representation
• Concepts of ‘honour’ in Islam and Muslim communities, and their impact on Muslim women: perceptions, praxis and new modalities
• Confusing Shadow with Substance
• Congruence Engine
• Consultancy Ethics
• Contested Territories: Latin America
• Correspondance générale de Benjamin Constant
• Corridor Talk: Conservation Humanities and the Future of Europe’s National Parks
• COVID-19: Impacts on the cultural industries and implications for policy
• Creating/Curating the Decolonial Classroom
• Creative Communities 1750-1830
• Crime, Punishment and Colonial Soldiers
• Cultural Participation, Stories of success, histories of failure (Failspace)
• Cultures of Intelligence: Military Intelligence Services in Germany, GB, and the USA, 1855-1947 (Britain, 1918-1947)
• Curating the City Collaboration with Pavilion
• Dante and Late Medieval Florence: Theology in Poetry, Practice and Society
• Darwinian Inheritance: Communication and Empire in the Making of a Scientific Dynasty
• Data in the Archive
• Death in Early Modern Venice
• Defining Freedom of the Press
• Deloneliness (Smart textile for monitoring and help to reduce loneliness)
• Dental Histories: Towards a Digital Museum
• Developing a Co-Produced, Digital and Living Archive of Learning Disability History
• Developing a youth-leadership programme for deaf children in, and beyond, South Africa
• Developing Healthy Engagement
• Development assistance and independent journalism in Africa and Latin America: a cross-national and multidisciplinary research network
• Development of e-Government in Kuwait
• Development through the Creative Economy in China, reconnecting M50 creative cluster with Shanghai All-Female Yue Opera.
• Dialect and Heritage project
• Digital Community Workspaces: delivering impact through public library and archive networks
• Digital Data Analysis, Public Engagement and the Social Life of Methods
• Digital Explorations: Opening the Medieval Manuscript Fragments from the Ripon Cathedral Library
• Digital Library of Chinese Theatre
• Digital Tools in the Service of Difficult Heritage: How Recent Research Can Benefit Museums and their Audiences
• Documentary Films and Buddhist Performing Arts : innovative ways of engaging with Buddhist teachings and rethinking gender roles in modern Thai Buddhism
• Dostoevsky Now
• Downsizing: using environmental prompts to understand healthy portion control and appropriate food servings in children, adolescents and caregivers
• Early discourse competence in preschool children: An elicitation study
• echome: a wearable technology for sound and movement interaction [please note echome is all low fonts]
• Eco-criticism in Times of Crisis: Nature, Capital and Culture in the Hispanic and Lusophone Worlds
• eCoLoRe / eCoLoTrain / eColoMedia
• Electrifying the Country House
• Electrifying Women: Understanding the Long History of Women in Engineering.
• Elegia renascens: Latin love elegy collections from antiquity to the Renaissance
• Emergent Objects
• Empowering Women: Co-Producing Histories of Women and Energy in the Home
• Engendering East Asia: Conversations on Contemporary Art
• Engineering ethics and professionalism
• Engineering the Imagination: Disability, Prostheses and the Body
• Enhance Music
• Environmental Humanities for a Concerned Europe (ENHANCE)
• Epistolary Lives and the Making and Re-Making of First World War Archives
• EStages.UK. Spanish theatre in United Kingdom (1982-2019)
• Ethical Dating Online
• EU-MADE4LL - European Multimodal Digital Education for Language Learning
• EvIDence
• Experiences of Year Abroad in China
• Experiments in Land and Society, 1793-1833
• Explainable AI (XAI): A Creative Copilot for Interior Designers
• Exploring Diversity in an Interstitial Urban Locale: The LGBTQ Community of Ceuta
• Exploring psycholinguistic eye tracking methodologies and data analytic techniques
• Exploring the Democratic Role of News Media During Covid-19: Triangulating Digital News Outputs, Journalists’ Professional Reflections, and Audiences’ Experiences in the UK and Germany
• Extinction as cultural heritage? Exhibiting human-nature entanglements with extinct and threatened species
• Fabulous Femininities: Extravagant Costume and Transformative Thresholds
• Family Sagas in World Literatures and Audio-Visual Cultures: Reimagining Nations Across the Globe
• Fate and Choice in Edgar Reitz's Heimat
• Fatherhood in Britain, c.1914-60
• Feminist Horror Cinema
• Ferrante Fever in Leeds
• Film Costumes in Action
• FoodWasteNet - AnthoLip
• Fragmented Geographies: Japanese and German Fieldwork on the New Colonial Peripheries of Northeast Asia, 1925-1950
• Framing the Lyric Subject Matter: Prose Headings in Italian Books of Poetry (c.1450-c.1650)
• Frederic Forster's Mourning Warehouse and the disappearing trade in female mourning wear in Leeds, UK 1849-1923
• From Over-Estimation to Under-Estimation: The Trajectory of Political Islam in the MENA Countries
• Future Fashion Factory
• Gamifying Urban Change: Willingness to Pay as Key to Citizen-Centred Approaches
• GCRF Development Awards: The hidden peace-builders
• GCRF Sexuality and Religion Network in East Africa
• Generic Visuals in the News: the role of stock photos and simple data visualizations in assembling publics
• Genetics and Biocolonialism in Contemporary Literature and Film
• Georgic
• German Operetta in London and New York, 1907-1939: Cultural Transfer and Transformation
• Global Health Histories podcast series
• God and Human Speech: A Planning Grant in Comparative Science-Engaged Theology
• God and the Book of Nature
• God, Language and Diversity: Spiritual Flourishing in Neurodiverse and Multilingual Communities
• GPs Reaching Out Work (GROW)
• Group thinking: new foundations
• Harewood’s Electricity Story
• Harold Pinter: Histories and Legacies
• Hearing Aids for Music: Exploring the music listening behaviour of people with hearing impairments
• Hearts of Oak: Caring for British Woodlands
• Hematopolitics: A Comparative Study of Reciprocity and Exclusion in the Blood Economy
• Hematopolitics: Blood Donation and Contested Belonging in East Asia
• Heritage with and without the State
• Heritages and Utopias: Possibility Thinking for Living Together
• Hidden Histories of Environmental Science partnership seed fund
• Higher Education Academy
• Higher Education Funding Council for England (HEFCE) ethical review
• Histories of Women in the British Film and Television Industries, 1933-89
• Home, Community and Belonging
• Home, Crisis and the Imagination
• Hope and Homes for Children KTP: Building Accountability to Young People in Youth Focussed Development
• How variable is speech, how reliable are single recordings? Assessing the medium-term dynamics of speech through iterative data collection
• HSK (Hanyu Shuiping Kaoshi) test taker characteristics, test performance and implications for HSK test constructs
• Hugh Davies: Electronic Music Innovator
• HyghTra
• Identity and Governance of Bodily Extensions: The Case of Prosthetics and Avatars
• Imagining Posthuman Care
• Imagining Technologies for Disability Futures
• Imagining the Place of Home
• Immunofluorescence labelling and the exploration of process-led sculpture making
• Impact Acceleration Account 2019
• Imprecise Probability Models of Rational Belief
• Improving Deliberation, Improving Copyright
• Improving Deliberation, Improving Copyright (Follow-on Project)
• In the Wrong Place at the Wrong Time
• Inclusive Art for Wicked Problems: Innovating Creative Methods for Systems Change with Learning Disabled Artists and Their Facilitators
• INCLUsive Digital Economy Network+: Exploring how social and digital environments can be built, shaped and sustained to enable all people to thrive
• Inclusive Robotics for a better Society (INBOTS)
• Information design for sustainability
• Information in Climate Change Adaptation in rural Kenya: a pilot field study
• Innovating in Combat: Telecommunications and Intellectual Property in the First World War
• Instrumentalising Electronic Sound, 1945-75
• Intake (Multifunctional nanocomposite material for hybrid energy harvesting)
• IntelliText
• Intercultural Communication in Interaction: multimodal approaches
• Interdisciplinary Dialogues in Industry and Literature, 1770-1830
• International Audience Research Network
• International Development and Intellectual Property: The Impact of Seed Exchange and Replacement on Innovation among Small-Scale Farmers in India
• Investigating and responding to teachers’ beliefs of the integration of variation in Arabic school teaching
• Jez Hattosh-Nemeth : ‘Maritimia’ exhibition, ‘Sealine’ performance, ‘Lavernock’ installation
• John Cage and the Concert for Piano and Orchestra
• John Harper : Broken and Breaking Ground
• Kelly
• Lactam based biofilm-ready surfaces with cross-industry applications
• Land Lines: British Nature Writing, 1789-2014
• LangCorp
• Language and Language Use
• Language and Nature in Southern and Eastern Arabia
• Laughter from the Grassland: Humour and Comedy in Amdo Tibet
• Leading Minds
• Leeds Animal Studies Network
• Leeds Russian Centre
• Leeds Voices: Communicating superdiversity in the market
• Legacies of War: Culture and the Arts
• Les Femmes s'entêtent: Feminism, writing, art and film 1975-2015
• Letterpress Printing: Past, Present, Future
• Life on the Outskirts: Making Sense of a Creative Life
• Lifting the Lid on Bacteria': Designing ambient communications to improve hygiene in primary school toilets
• Linguistic diversity and accent bias in Higher Education and beyond
• Linked Early Modern Drama Online
• LITE Excellence and Innovation fellowship
• Literature Project Award 2021
• Living with Dying: Everyday Cultures of Dying within Family Life in Britain, c.1900-50
• LivingBodiesObjects: Technology and the Spaces of Health
• LivItaly: Bringing Italian culture to Yorkshire
• Longinus Reunited: On Sublimity in Context
• Love Letters and Erotic Letters: Antiquity and Beyond
• Magister Mundi? Hermann Hesse's Global Impact
• Making the Science(s) of Coal: the changing role of miners and savants, 1660–1880
• ManyBabies1: Quantifying sources of variability in infancy research using the infant-directed speech preference
• Mapping contemporary art in the heritage experience: Creation, Consumption and Exchange
• Mapping New Geographies of Cultural Production in Brazil through Pontos de Cultura
• Marginalisation and the Law
• Martin Thomas Memorial Art Project
• Masculinity through the lens of power and violence in post-WW2 British and French children’s literature
• Maternal mortality in East Africa
• Medfrench
• Media, Conflict and Democratisation (MeCoDEM)
• Mediated climate change politics: the epistemology and performance of contested digital truth claims
• Medieval history texts in translation
• Mediterranean Gypsies
• MeLLANGE
• Men, Masculinity and Maternity in Britain, from the 1950s to the Present
• Mental Suffering, the Experience of Beauty and Well-Being
• Meta-Alethic Expressivism: A New Theory of Thinking and Saying What is True
• Meta-Alethic Expressivism: A New Theory of Thinking and Talking about Truth
• Middlebrow culture in Europe 20th/21st centuries
• MITRAS
• Mobilising the Masses: Appeals to Emotion in German Political Writing, 1871–1933
• MOTHERBABYHOME
• Moving Between The Lines
• Moving Mountains: Memory, Identity, and the Geological Imaginary after Landslide Disasters
• MULIMO
• Mull Transect
• MultiLingual Minds and Factors Affecting MultiLingual Outcomes
• Music and Me
• Music for Girls: Women's Knowledge Cultures of Popular Music
• MUSICSTREAM: Music Culture in the Age of Streaming
• My Castle Gateway
• MyExhibition
• National Inquiry into Ethical Decision Making in the NHS
• National Network for Interpreting
• Nationalist polarization and the fight over climate change: how nationalism is shaping the politics of climate skeptics and activists in the US and Canada
• Network Plus in Circular Fashion and Textiles – Programme Coordination Team (PCT)
• New statistical methods to analyse psycholinguistic data
• New Uses of Screens in Post-Lockdown Britain
• Newcomers in the City: Reading Japanese and Chinese Literary Modernism in the Inter-war Period
• Non-formal education for youth-led change
• NWH Research Project template
• Of Comradeship and Sisterhood: A Political History of 'Die Gleichheit', 1891-1917
• Opening Up the Cecil Roth Collection
• ORCIT
• Origins of Firepower
• Ottoman Pasts, Present Cities: Cosmopolitanism and transcultural memories
• Oxford Handbook of the Philosophy of Artificial Intelligence
• Parameters & Practice: A Year of Tasks for Creative Collaboration
• Participatory tools for human development with the youth
• Pas en Avant: Community Integration through Dance-Based Pedagogy in the Lake Chad Region
• Pastoral Care, Literary Cure and Religious Dissent: Zones of Freedom in the British Atlantic (c. 1630-1720)
• Performance, Politics, Piety
• Performing Landscapes: Mountains
• Performing the Jewish Archive
• Performing Violence
• Persons as Animals: Understanding the Animal Bases of Agency, Perceptual Knowledge and Thought
• Petrarch Commentary and Exegesis in Renaissance Italy, c.1350-c.1650
• Photography and Atrocity
• PIN: Postcolonial Intellectuals and their European Publics
• Players of Colour: Exploring the subcultural experiences of PoC geeks
• Poetical Animals: Aristotle, Anthropology, and Poetry
• Polyester Infinity: Carbon Dioxide-based Polyester Dyeing and Recycling in a Textile Circular Economy
• Popular Cultures Research Network
• Post-Work: Framing Labour in Post Industrial Europe
• Predictive Analytics, Identities and Cultures of Prevention
• Process Automation for Localisation of Dialogue in Entertainment Media (PALODIEM)
• Professionalism in Banking
• Project CREATE - Creating Research Ecologies to Advance Transdisciplinary lEarning: Arts-based programs and the study of adolescent loneliness
• Promoting language development via shared reading
• Psychopathology and religious experience: could someone be experiencing a mental illness and having a religious experience at one and the same time?
• Public Service Media in the Age of Platforms (PSM-AP)
• Pulling a thread: Unravelling the trail of modern slavery in the fashion and textile industry
• Quanticode and the Ethics of Data Analytics
• Quantifying bilingual language experience: Optimising tools for educators, clinicians and researchers
• Re-archiving the Individual: British Army Officers, 1790-1820
• Re-emergence 2012
• Re-imagining Relationships with Urban Nature
• ReadingCorp
• Real Integrity Project
• Referential communication and executive function skills in bilingual children
• Reform and Clerical Authority: Comparative Perspectives, c. 1000-1200
• Reimagining a True Social Order
• Rejuvenation Research
• Religion and Extinction Network
• Remembering what matters': Nature, culture and autism
• Representation of transnational human trafficking in present-day news media, true crime, and fiction
• Representing Postcolonial Disaster
• Reproducing Renaissance Drama
• Respond
• Rethinking Holocaust Literature: Contexts, Canons, Circulations
• Rethinking Patent Cultures
• Revolutionising Waterless Textile Dyeing
• Rheon Lab Ltd KTP
• Romain (Robotic inspection and repair of wind turbine composite blade)
• Routes to Content
• Sacred Queer Stories: The Ugandan LGBT Refugees Life Story Project
• Safeguarding minoritised languages in a global world: protecting and promoting the Galician language.
• Saudi Chambers of Commerce and Industry Project
• Science for the People: Popular Print and the Making of the Victorian World
• Science-engaged theology
• Scientific Realism and the Quantum
• Scientific realism reinvigorated: How to think about scientific progress and knowledge in the 21st century
• Screening European Heritage: History on Film, the Heritage Industry and Cultural Policy
• Security Consultancy
• Seismic Cities
• Sex and the Sacred: Queering Black Performing Arts in Cape Town, South Africa
• Sexuality and Religion Network in East Africa
• Shakespeare and Early Modern Proverbial Culture
• Signs beyond borders: Meaning-making across sign and spoken languages
• Site and Smell: an immersive performance of olfactory-spatial memory
• Skipton’s First World War Prisoner-of-War Camp
• Smart Multifunctional textile with printed electronics to promote healthy ageing in musculoskeletal conditions
• Social Choreography Network
• Social Distancing and Development
• Social Issues in Primetime Television: Production Processes and Audience Responses
• Social Photography Research Group
• Soft Power, Cinema and the BRICS
• Soldiers and soldiering in Britain, c.1750 to 1815
• Sounds from the Bunker: aural culture and the remainder of the Cold War
• Space of Place
• SPARKLE: Sustaining Practice Assets for Research, Knowledge, Learning and Engagement
• Speaker identity in metaphor processing
• Spectacular Subjects: Modernism, Gender and Visuality in Interwar Japan
• Speech tempo perception and missing sounds
• Spoken Language, Standards and Inequality in Schools
• St Vincent and the Grenadines code of ethics
• Staging China
• Stigma and Shame? Challenging Menstrual Taboo Through Time
• STOP fibrous microplastic pollution from textiles by elucidating fibre damage and manufacturing novel textiles
• Strangers: Migration and Multilingualism in Early Modern London
• Strike Stories - Opening the archives on the miners' strike 1984-85
• Sudan revolution archive: songs, chants and poems of the 2019 Sudanese revolution
• Suicide Voices: Narratives of Trauma in the Globalised Workplace
• Suicide Voices: Neoliberal Globalisation and Workplace Trauma
• Sumak Kawsay and the Sustainable Development Agenda: Critical Debates and Creative Responses from a Latin American Indigenous Perspective
• Syllables, segments and how to measure speech tempo: Evidence from listening experiments
• Tackling antimicroibal resistance (AMR) in schools
• Tales of Sexuality and Faith: The Ugandan LGBT Refugee Life Story Project
• Talking about Things
• TAUS
• TCC
• The Bantu-Romance connection
• The Buddhist Retreat Project: Tracing the contours of the sacred and secular in contemporary British Buddhism
• The Business of Fashion, Textiles and Technology Collaborative R&D Partnership
• The Cambridge Edition of the Works of Ben Jonson
• The circulation of Spanish books and their impact on English drama, 1604–1625
• The Complete Works of John Marston
• The Cultural Life of Money and Finance
• The Dissenting Atlantic: Archives and Unquiet Libraries, 1776-1865
• The Documentation and Ethnolinguistic Analysis of Modern South Arabian
• The Effect of Literary Genre on Authorial Style: A Computational Stylistics Analysis of English Renaissance Plays, Poems, and Narrative Prose
• The Error Network
• The Ethics of Medical Photography: Past, Present, and Future
• The Extinction Network
• The Family Archive: Exploring Family Identities, Memories and Stories Through Curated Personal Possessions
• The Garden of Forking Paths: material-indeterminacy driving open-form composition for clarinets
• The Hercules Project
• The Hidden Peacebuilders Network
• The idea, context, framing and realities of 'Sikh radicalisation' in Britain
• The Impact of Covid-19 on Key Learning and Education (ICKLE)
• The impact of information design on improving obesity prevention among university students
• The Inner Music and Wellbeing Network
• The Joust as Performance: Pas d’armes and Late Medieval Chivalry
• The Midsomer Norton Dig Project
• The Nature of Representation
• The Northern Network for Medical Humanities Research (NNMHR)
• The Operas of Thomas Adès
• The Other City: Social Exclusion and Care in Urban Japan
• The Other From Within: Indian Anthropologists and the Birth of the Nation
• The PAR3TY project - PAR3 for Teens and Young Adults Living with Cancer
• The phonetics and phonology of Modern South Arabian: Mehri and Shehret
• The politics of religious infrastructure: Christian and Muslim urban worlds in Africa
• The politics of religious infrastructure: Christian and Muslim urban worlds in Africa
• The Professional Career and Output of Trevor Jones
• The Reception of Apuleius' Cupid and Psyche
• The Return of the Repressed: Sexuality Discourse in Hausa Digital Prose Fiction
• The risks of childbirth in historical perspective (2016-2018)
• The Role of Collections and Archives in Art Practice
• The Sacred Landscapes of Medieval Monasteries: An inter-disciplinary study of meaning embedded in space and production
• The Senses and the Meanings of Modernity in East Asia
• The Sheridan Project
• The Shiloh Project
• The Society of Authors, 1884-1914: Professional Association and Literary Property
• The State of Science: Governing Knowledge of Nature in Victorian Britain
• The Survivor Group: countering stigma and isolation among Boko Haram survivors through community storytelling
• The Thomas Nashe Project
• The Tim Hetherington collection and conflict imagery network
• The Transcultural Fantastic
• The uses of the past: History and social memory in Northern Ireland 1980-20
• The Weight of the Past in Franco-British Relations
• The Western Indian Ocean in the First Millennium CE
• The Woman Reader Project
• The Year of the Dealer
• Theatricality and Interrelations between Art, Film and Theatre
• Transforming the Cultural & Heritage Sector’s Data Infrastructure: A pilot study to establish a cultural data observatory
• Transnational Holocaust Memory
• Trials Engagement in Children and Adolescents (TRECA)
• Troubling the National Brand and Voicing Hidden Histories: Historical Drama as a tool for International Development and Community Empowerment
• UK-China Song of the Female Textile Workers: past, present and the future
• Uncoupling Heteropatriarchy in African Feminism: Unmarried Women and Indigenous Knowledges of Gender and Sexuality among the Shona of Zimbabwe
• Unheard Voices: The Poetry of the Gallipoli Campaign
• US Slavery and Yorkshire Anti-Slavery: Forgotten Narratives from the Leeds Archive
• Using digital tools in heritage
• Using Digital Tools to Challenge Xenophobia and Support International Development in South Africa
• Using Film to Examine Heritage, Identity and Global Citizenship: supporting the work of the Bautzen Memorial to Engage New Audiences
• Virtual Holocaust Memoryscapes
• Visualising the UK General Election 2015 TV Debates
• Vital Circulations: A framework for understanding social dynamics in and beyond a pandemic
• Vital Circulations: Bodily Fluids in Bioeconomy
• Weaving Codes, Coding Weaves
• Weaving with Stones
• WebDoc
• What is History on Film? The Case of Italian Cinema 1911-2010
• What might an effective multiglossic approach to Arabic look like
• Whose Voices?
• William Shakespeare and Tang Xianzu: celebrating a 400 year legacy
• Women, Ageing and Machine Learning on Screen
• Work-related Suicide. An International Social Justice Analysis
• Writing the Revolution. The Construction of '1968' in Germany
• Yemen in Conflict: Popular literary heritage as expression of conflict and tool for conflict resolution
• ‘Self-worth as a community asset: co- authoring burlesque’s protected and deregulated spaces as good practice’
• “Reading to Learn” – cognitive processes involved in learning Chinese characters