Dr John Wright

Profile

I am a researcher and artist currently working as Lecturer in Cultural and Creative Industires in the School of Performance and Cultural Industries. I have previously worked as a postdoctoral research associate with The Centre for Cultural Value, as a lecturer at Leeds Arts University on BA Fine Art and MA Curation and as a module leader on MA Critical Studies at Bradford College. In my professional life before academia, I co-founded the artist-led collective The Retro Bar at the End of the Universe and developed a curatorial background in museums, galleries and artist-led practices. I previously worked at the British Library, Yorkshire Sculpture Park and the National Media and Science Museum.

Responsibilities

• Co-convener of the PCI PLACE research group

Research interests

My main research interests are at the nexus of culture, placemaking/placeshaping and policy:

• Artist-led collectives and their complex ever-changing relationship with place and policymaking. Particularly how their internal social bonds, friendships, organisational structures and governance are both complicit and oppositional to broader power fields that pervade local cultural ecologies and the wider global cultural and creative sectors.
• Digitisation of arts and cultural festivals and what that might mean for belonging and the commons.
• Ecological approaches to conceptualising cultural value. 
• Research/practice in social art school education. Particularly with reference to socially engaged artistic practices and why/how they are incubated within specific schools.  
• Application of Relational Dialectics Theory (RDT) within performance art and situated practices.

My research is interdisciplinary and branches of into several specific areas of interest. My PhD research explored artist-led collectives through the lens of friendship. I employed Relational Dialectics Theory (RDT) as a conceptual framework in order to challenge binary notions of object-based art history vs. social art history. I argued that in order to move towards a greater understanding of collectivism it is important to consider the interplay between social bonds, artistic output, place and local/national policymaking.

Qualifications

• PhD, Doctor of Philosophy
• Master of Arts in Art Gallery and Museum Studies
• Bachelor of Arts in Fine Art with Hons
• Foundation Degree in Art and Design