Dr Anna Fenemore
- Position: Associate Professor (Contemporary Theatre & Performance)
- Areas of expertise: Spectating embodiment; multi-sensory performance; physical and devised performance; performance and death; performance and food; performance and cognition; phenomenology; space/place; actor training
- Email: A.Fenemore@leeds.ac.uk
- Phone: +44(0)113 343 8736
- Location: Stage@leeds
- Website: Pigeon Theatre
Profile
I am Associate Professor in Contemporary Theatre and Performance with teaching expertise in physical and devised performance and research interests in spectating embodiment, performance and cognition, theories of performance space/place, performance and food, and performance and death. I am also Artistic Director of Manchester-based Pigeon Theatre. Pigeon Theatre are a contemporary performance company specialising in experimental and interactive works that incorporate non-traditional spaces and shared intimacies between performer and audience. Pigeon have been making and touring innovative theatre since 2001. In spring 2012 the play-texts of Pigeon Theatre's critically acclaimed show The Rehearsal (a trilogy) were published by Intellect. I also work as a performer on solo projects and also for Plane Performance, The Chameleons Group, Fast and Dirty Theatre Collective, and collaborate with Teresa Brayshaw and Swen Steinhauser on the anateresa project. As a performer, I have also collaborated on telematic performances with Paul Sermon and Steve Dixon.
Research interests
- Spectating embodiment
- Performer bodywork training
- Multi-sensory immersive performance (in particular smell and performance)
- Performance and phenomenology
- Theories of performance space/place
- Performance and Death
- Food and Performance
- Performance and Cognition
Qualifications
- PhD: The Pigeon Project: A Study of the Potential for Embodied Praxis in Spectating, MMU Cheshire
- MA Performance Studies, Central School of Speech and Drama
- BA (Hons) Drama, University of Wales Aberystwyth
Student education
I have teaching expertise in physical and devised contemporary performance, research methods/methodologies, contemporary performance practice and collaborative practices.
Research groups and institutes
- Audience, Engagement & Experience
- Bodies & Performance