Dr Nigel Saint

Profile

I read French at Durham University and went on to University College London to study for my PhD. From 1996-97 I was a Temporary Lecturer at the University of Edinburgh. Then I moved to Royal Holloway, University of London, as a British Academy Postdoctoral Fellow, from 1998-2001. In 2002 I joined the French department in Leeds as a Lecturer.

Teaching

As well as contributing to our provision of language teaching, I currently teach on the following courses: Final-Year Project and Iconic Images [Convert, JR and Pernot; with Garat, Bourouissa, Bardot and Houellebecq taught by colleagues] (Level 3); 

20th/21st-Century French Fiction [Camus, Despentes, Louis], Foundations of Modern French Thought and Age of Extremes (Level 2);

Introduction to French Studies: Resistance and Desire (Level 1).

Research

My research focuses on modern French thought, the visual arts and literature. I followed up my work on Marguerite Yourcenar and the visual with a series of articles and papers on Louis Marin's theories of representation. I am currently working on a study of the visual philosophy of Georges Didi-Huberman, with a focus on his writing on contemporary art, his reading of art historiography, his interest in the politics of the image and his exhibitions. Concurrently I am studying the poetics of memory and the politics of history in the sculptures, films and writings of the artist Pascal Convert. To date I have published a series of articles on Didi-Huberman and Convert.

I am interested in supervising research in the following areas: modern theories of representation and the visual from painting to film; writing on the visual arts since Balzac and Delacroix, including art theory, art criticism and literature; the visual in 19th- and 20th-century fiction; and modern and contemporary fiction (notably Marguerite Yourcenar, Georges Perec, Jean-Philippe Toussaint and Sophie Calle). 

Book

• Marguerite Yourcenar: Reading the Visual (Oxford: Legenda, Studes in Comparative Literature 5, 2000)

Edited books

• Modern French visual theory: A critical reader (Manchester: Manchester University Press, 2013), ed. with Andy Stafford https://manchesteruniversitypress.co.uk/9780719081309/modern-french-visual-theory/

• Robert Desnos: Surrealism in the Twenty-First Century (Oxford: Peter Lang, 2006), ed. with Marie-Claire Barnet and Eric Robertson

Edited Journal Special Issue

• Louis Marin, ed. Alain Cantillon and Nigel Saint, Early Modern French Studies 38: 1 (July 2016).

Articles

• 'L'Ecrivain et sa source: l'essai sur l'Histoire Auguste', Bulletin de la Socit Internationale d'tudes Yourcenariennes (Tours: Universit de Tours), 13 (June 1994), 71-84.
• 'The Body's Contract or Realism's Revenge: Peter Greenaway's The Belly of an Architect', Interfaces (Dijon: Universit de Bourgogne, Cahier du Centre de Recherches "Image Texte Langage"), 7 (April 1995), 185-197.
• 'Speaking volumes: Poussin's water colours', Interfaces, 10 (February 1996), 15-23.
• 'Et in Arcadia Ego: Yourcenar devant les tableaux de Poussin', in A. de Medeiros et B. Deprez (ed.), Marguerite Yourcenar: Ecritures de l'exil (Louvain-la-Neuve: Academia Bruylant, 1998), 201-210.
• '"Drame de juillet, tragdie de l't": Perec et Roland-Garros', French Cultural Studies, 10: 2 (June 1999), 173-178.
• 'Pour l'amour d'un plaisir svre: Following Louis Marin', in M. Heusser, M. Hannoosh, C. Schoell-Glass and D. Scott (ed.), Text and Visuality: Word and Image Interactions III (Amsterdam and Atlanta, GA: Rodopi, 1999), 65-75.
• 'Livres la limite', in Mauricette Berne (ed.), Livres de Pierre Lecuire (Paris: Bibliothque Nationale de France, 2001), 124-5.
• 'Sarah Farmer: Martyred Village: Commemorating the 1944 Massacre at Oradour-sur-Glane' (review article), Patterns of Prejudice 36: 3 (2002), 79-82.
• 'Louis Marin', in Christopher J. Murray (ed.), Encyclopedia of Modern French Thought (New York: Fitzroy Dearborn, 2004), 456-458.
  Georges Didi-Huberman', in Christopher J. Murray (ed.), Encyclopedia of Modern French Thought (New York: Fitzroy Dearborn, 2004), 173-176.
• 'Esthtique et temporalit dans les rflexions thoriques de Louis Marin sur les idoles,' in R. Dekoninck and M. Watthee-Delmotte (ed.), L'Idole dans l'imaginaire occidental (Paris, L'Harmattan, 2005), 49-56.
• 'Pierre Lecuire and the artists,' in M. Heusser, M. Hannoosh, E. Haskell, L. Hoek, D. Scott and Peter de Voogd (ed.), On Verbal / Visual Representation: Word & Image Interactions 4 (Amsterdam and Atlanta, GA: Rodopi, 2005), 83-93.
• 'Pascal Convert and the Family: History, Conflict and Creativity,' in M-C Barnet and E. Welch (ed.) Affaires de famille: The Family in Contemporary French Culture (Amsterdam: Rodopi, 2007), 151-168.
• 'Reading Stendhal's Vie de Henry Brulard: Louis Marin and the Limits of Representation', Dalhousie French Studies 80 (Fall 2007), 59-67.
• '"This is my body": the words of the Eucharist in the work of Louis Marin and Jean-Luc Nancy', in Thomas Baldwin, James Fowler and Shane Weller (ed.), The Flesh in the Text (Bern: Peter Lang, 2007), 243-259.
• 'Poussin aux Etats-Unis d'Arcadie', in Hlne Merlin-Kajman (d.), La littrature, le XVIIe sicle et nous: dialogue transatlantique (Paris: Presses Sorbonne Nouvelle, 2008), 283-292.
• 'Space and Absence in Sophie Calle's Suite vnitienne and Disparitions', L'Esprit Crateur 51: 1 (Spring 2011), 'Watch this Space: Women's Conceptualisations of Space in Contemporary French Film and Visual Art', ed. M-C Barnet and S. Jordan, 125-38.
• 'Louis Marin, Poussin and the Sublime', Art History 34: 5 (November 2011), 914-933.
• ‘Joseph Epstein (1911-1944): The case of the forgotten French Resistance hero rescued by the artist Pascal Convert’, French Cultural Studies 24: 4 (November 2013), 398-416.
• ‘Ecrire l’art : enjeux esthtiques, stylistiques et politiques dans l’œuvre de Georges Didi-Huberman’, in
  Existe-t-il un style Minuit?, eds K. Germoni et al. (Aix-en-Provence: Presses de l'Universit d'Aix-Marseille, 2015).
• ‘Introduction’ and ‘Legacies of Sublime Poussin: Louis Marin’s Plea for Poussin as a Painter’  in Louis Marin, ed. Cantillon and Saint, Early Modern French Studies 38: 1 (July 2016), 2-10 and 59-73. 
• ‘Georges Didi-Huberman: From non-savoir to the Atlas’, Images, Imagini, Images 5/2015 (2017), University of Bucharest, Special Issue: 'Georges Didi-Huberman: Déplier l’image', ed. Laura Marin, 39-62.
• ‘Figure and Agency in the Work of Georges Didi-Huberman’, in Usages de la figure, régimes de figuration, eds. Laura Marin and Anca Diaconu (University of Bucharest Press, 2017), 97-107.

Translation

• Laetitia Fieschi-Vivet, 'Investigation of a mystery: Cinema and the Sacred in Hlas pour moi', in Michael Temple and James S. Williams (ed.), The Cinema Alone: Essays on the Work of Jean-Luc Godard 1985-2000 (Amsterdam: Amsterdam University Press, 2000), 189-206.

<h4>Research projects</h4> <p>Any research projects I'm currently working on will be listed below. Our list of all <a href="https://ahc.leeds.ac.uk/dir/research-projects">research projects</a> allows you to view and search the full list of projects in the faculty.</p>

Research groups and institutes

• French
• Literary studies

<h4>Postgraduate research opportunities</h4> <p>We welcome enquiries from motivated and qualified applicants from all around the world who are interested in PhD study. Our <a href="https://phd.leeds.ac.uk">research opportunities</a> allow you to search for projects and scholarships.</p>