Dr Matthew Pritchard

Profile

I was appointed Lecturer in Musical Aesthetics at Leeds in 2015, following a British Academy Postdoctoral Fellowship at the University of Cambridge. My work addresses aspects of aesthetics, ethnomusicology and music theory from a primarily historical and critical perspective. My first monograph, Romantic Music Aesthetics: Creating a Politics of Emotion (Cambridge: Cambridge University Press, 2024), which reassesses the political implications of romantic music aesthetics through the lens of its relationship to emotion, was published recently. Other published work includes articles relating to historical aesthetic issues from the eighteenth century to the mid-twentieth, translations (from German and Bengali), and two co-edited collections of essays.

Responsibilities

• Deputy Director of Student Education
• Programme Manager, BA Music
• SALIP in Music

Research interests

My research interests include the history of music aesthetics and music theory since the late eighteenth century, both in France and German-speaking territories, and the music of Bengal, with a focus on the songs of Rabindranath Tagore. In the former area I have explored the application of historical approaches from the history of emotions to the recent "affective turn" in music scholarship, and the intersection of these concerns with thinking about feeling and affect within early Romantic philosophy, in my book Romantic Music Aesthetics. The undervalued role of ‘functional’ music (Gebrauchsmusik) and pre-twentieth-century popular music traditions in the development of music aesthetic thought is an additional focus of investigation. Alongside this sits a critical genealogy of aesthetic attitudes within twentieth-century musical modernism and music analysis, including explorations of debates and other aesthetic interactions between Romantic and modernist currents of thought.

My interest in Bengali traditions combines an examination of aesthetic writings by Tagore and others with a concern to translate and disseminate their lyrical productions, above all Rabindrasangit (Tagore songs). 

Qualifications

• PhD in Music
• MPhil in Historical Musicology
• BA (Mus)

Professional memberships

• Fellow of the Higher Education Academy
• Member of the British Forum for Ethnomusicology

Student education

I have taught aesthetics at both undergraduate and postgraduate levels in the School, and have also contributed to and/or led modules on music history, music theory and analysis, research skills, and critical musicology, as well as supervising dissertations and examining performance students from level 1 to Masters level. 

Current postgraduate researchers

• Xiao Chenyu