Dr Mic Spencer

Profile

Born in Bellshill, Lanarkshire in 1975, Spencer studied composition with Graham Hair at Glasgow University where he received an MA in Music and Scottish Literature. Between 1997 and 2002, he completed a MusM and PhD in Composition with Geoff Poole at Manchester University. Between 1998 and 2004he worked privately with James Dillon, on whose work he has published two articles andhe has alsostudied in masterclasses with Richard Barrett, Steve Takasugi, Chaya Czernowin, Brian Ferneyhough, Mathias Spahlingerand Pierluigi Billone. His music has been performed nationally, internationally, on BBC Radio 3 and is available on CD. Born in Bellshill, Lanarkshire,Michael Spencerstudied composition with Graham Hair at the University of Glasgow where he received an MA in Music and Scottish Literature. Between 1997 and 2002, he completed a MusM and PhD in Composition with Geoff Poole at Manchester University. Between 1998 and 2004, he worked privately with James Dillon. His music has been performed at the Henze Festiva l(RNCM),St Cyprians Church (London), the Huddersfield Contemporary Music Festival (twice short-listed for theYoung Composers Competitionin 2000 and 2003), Instal2002 (Glasgow), Maxis2003 Festival (Leeds), in workshops by the Apollo Sax Quartet, Psappha, in France, Canada, at the Darmstadter Internationale Ferienkurse für Neue Musik in Germany, 2004 and 2012, and extensively at Glasgow,Manchester and Leeds Universities.Toxic Knuckle Bones was performed by the BBC Philharmonic under James MacMillan on Radio 3's Hear and Now programme in 2001. He has worked with notable performers such as Ensemble SurPlus, Ian Pace, Richard Casey, Modelo62, Trio Atem, Apartment House, Christophe de Bezenac, Adam Starkie and Geoff Poole. In 2003, he received a stipend to attend theInternational Summer Course for Composersat Schloss Solitude, Stuttgart, where he worked with Chaya Czernowin,Steve Takasugi and Richard Barrett. His work la mer alle avec le soleil was performed there by Ensemble SurPlus and subsequently by them in Stuttgart and Freiburg. In 1999, he co-founded Polaroid, an evening of new and experimental music at the Arches (Glasgow) withTiernan Kelly and Freya Mitchell. Programmes included the Scottish premires of Cage's Muyoce II, Nono's Canti Per Tredici, and performances of Stockhausen and young British composers. Polaroid was the blueprint for the Arches Instal Festival, for which Spencer was a consultant in 2001 and 2002, organising the performance of Ligeti's Pome Symphonique, works by Berio and Takemitsu and the Scottish premiere of Feldman's Instruments III (which he performed in as percussionist). He has also conducted the University of Glasgow's Kelvin Ensemble in a programme of Arkell, Yeats and Schumann. In 1999, he co-ordinated the performances of the music of Urugyan composer Graciela Paraskevaidas at Manchester University (as part of a tour of Universities organised by Stephen Davismoon). His research interests include the music of Brian Ferneyhough, James Dillon, Helmut Lachenmann, improvisation, live electronic-performer interaction, aesthetics and semiotic analysis which he taught at Manchester University for seven years. In 2003, he gave a lecture-recital at the University of Glasgow, a master-class in composition at the Junior Department of Trinity College of Music (London) and he was resident composition tutor for the National Youth Brass Band. At the University of Leeds he runs and conducts the new music ensemble LSTwo which has performed under his artistic direction Stockhausen's Kreuzspiel, Varèse's Intgrales and Ionisation, Lachenmann's ...zwei Gefhle...,Musik mit Leonardo, Grisey's Vortex Temporumand Boulez's Le marteau sans maître, Chaya Czernowin's Afatsim, James MacMillan's as others see us, Beat Furrer's Gaspra, Stäbler's Luftspiegelungen - Ein Spiel fur Sieben, Nunes's Improvisation I, Finnissy's Catana, Dillon's Zone (de azul...), Birtwistle's Tragoedia, Clarke's Delmenhorst and Afterglow, Hoban's Wyrdlines, an entire festival of the works of Hans Joachim Hespos and a range of premieres of postgraduate and undergraduate student work and Composition Staff works. He has published several articles on the creative process as well as on James Dillon's music. His other work includes Ungrund II (after Böhme) for solo clarinet/kick-drum (one player) which was premiered in Strasbourg before receiving its UK premiere in Leeds, April 2010. It recently received another performance at MusicA Festival, Strasbourg.Ungrund I (after Böhme) for chamber ensemble was premiered by Ensemble Modelo62 as part of their UK Urbane Tour. The Eemis Stane - Homage to K.S. Sorabji is available on a CD collection of new piano music recorded by Aleks Szram (fonorum label 2005) and his piano piece Message from Aiwass X (on his Horoscope) is available on CD (Joyous Lake on primafacie records, performed by his past mentor Geoff Poole, to whom the piece is dedicated). A recent work for solo cello, Verdrngung von der Aufhebung was premiered in Darmstadt by Andrej Gal.  In 2012 he composed Ungrund (after Boehme) V for Trio Atem using text fragments by Heraclitus in a collaborative project with Bill Hutson which was premiered in 2013 and another new piece in his Ungrund cycle for Adam Starkie (solo clarinet) and ensemble (Ungrund (after Boehme) IV which was premiered in 2013. Later in 2013, his article on the string quartets of James Dillon was published in Contemporary Music Review. In 2014, he wroteThe Phaedra Complex fo rELISION ensemble (oboe, percussion and violin) which they premiered in Leeds. At the same time, Spencer composed CLSTRFCK (for organ/voice - 1 player - fixed media electronics and live electronics, premiered by Lauren Redhead) and CLSTRBMB (for ensemble, premiered by Workers Union Ensemble) both of which enjoyed performances in 2014 and 2015. Between 2015 and 2016, Spencer collaborated on a work for clarinet with composer and colleague Scott McLaughlin and clarinettist Heather Roche. She premiered Palmyra in Leeds in early 2016 and there is documentation in web form of the creative process available. Future work will involve a work for James Wilson for flute and percussion based on one of the Seven Deadly Sins, 'Lust', a piece for string quartet to be premiered in Leeds in Autumn 2019 by the Kentigern Quartet and a piece for Ian Pace for solo piano.
 

Current roles:

  • Deputy Head of School
  • Head of the Graduate School, Faculty of Arts, Humanities and Cultures
  • Chair of Programmes of Study and Audit Group
  • Chair of the Schools Student:Staff Forum
  • Member of School Taught Student Education Committee
  • Head of Composition

Previous roles

  • Postgraduate Research Tutor
  • Postgraduate Research Tutor for the School of Music and the School of Performance and Cultural Industries (2010-12)
  • Equality and Diversity Officer for the School (2006-09)
  • Joint Honours Arts Tutor (2004-09)
  • Programme Manager for MMus Composition (2004-2014)

Other roles (current): Member of Points-Based System Steering Group Member of the University Research Ethics Committee (as representative of Graduate Board) Member of Collaborations and Partnership Committee University of Leeds Representative on York St. John University Research Degrree Sub-Committee  

Responsibilities

  • Deputy Head of School
  • Head of the Graduate School, Faculty of Arts, Humanities and Cultures
  • Chair of the Programmes of Study and Audit Group

Research interests

Research interests:

  • Composition (including improvisation, notational issues, linearity/non-linearity, narratives, experimental music)
  • The music of Dillon, Feldman, Ferneyhough, Hespos, Lachenmann, Maxwell Davies, Spahlinger, Xenakis
  • Aesthetics, Philosophy of New Music including thetheoretical thinking of Adorno, Heidegger, Foucault,Bhme
  • Conducting and performance practice of new music
  • Heavy metal and related sub-cultural issues
  • Abba
  • Semiotic Analysis (Monelle, Nattiez, Samuels)
  • Micro-tonal tuning systems
<h4>Research projects</h4> <p>Any research projects I'm currently working on will be listed below. Our list of all <a href="https://ahc.leeds.ac.uk/dir/research-projects">research projects</a> allows you to view and search the full list of projects in the faculty.</p>

Qualifications

  • MA (Hons), Scottish Literature and Music, University of Glasgow
  • MusM (Composition), University of Manchester
  • PhD (Composition), University of Manchester

Professional memberships

  • The Scottish Music Centre http://www.scottishmusiccentre.com/michael-spencer/

Student education

Current teaching

  • includes composition at all levels, new music performance practice at all levels, some dissertation supervision

Between 2004 and 2014, was Module Coordinator for

  • MUSS1220 Level1 Composition
  • MUSS2220 Level2 Composition
  • MUSI3240/3220 Level 3 Minor/Major Composition
  • MUSI5231M Composition Studies (MMus level)
  • MUSI5262M Portfolio of Compositions (MMus level)

Previous Teaching

  • MUSI1220 Language and Theory of Music
  • MUSI1120 Music Study Skills
  • MUSC2211 Level 2 Orchestration (including module co-ordination)
  • MUSI3721 Texts and Contexts (on the music of Morton Feldman)
  • MUSI3521 Level 3 Aesthetics and Criticism
  • MUSI3120/40 Minor/Major Dissertation
  • MUSI5040M Introduction to Musical Scholarship (M-level)

Research groups and institutes

  • Making Music

Current postgraduate research students

<h4>Postgraduate research opportunities</h4> <p>We welcome enquiries from motivated and qualified applicants from all around the world who are interested in PhD study. Our <a href="https://ahc.leeds.ac.uk/research-opportunities">research opportunities</a> allow you to search for projects and scholarships.</p>