- Email: email@example.com
- Thesis title: Following threads touching knots, Decolonising Heritage through Contemporary Art
- Supervisors: Dr Nick Cass, Dr Helen Graham
I come from the Atacama Desert in Chile, the driest place on the earth, there, I grew up finding arrowheads on the coast and seeing ancient indigenous abstractions drawn in the mountains, in these manifestations I appreciated art and heritage as a constant in my life. As I saw it in the desert, I studied it in books and museums, while my experiences have led me to work in galleries, art fairs, non-profit art foundations and with international contemporary art agents in Chile, Brazil, United Kingdom, Austria, California in the United States and Serbia, in each experience, I have seen the relationship between art and heritage rising in different ways, senses and forms. I hold a BA in Fine Arts, with a major in Theory and History of Art from the University of Chile(Max. Distinction), a Curating diploma from Adolfo Ibañez University, and an MA in Arts Management and Heritage Studies (Distinction) from the University of Leeds.
- What Could/Should Curating Do?, Belgrade, Serbia 2019
- Emergent Curators Retreat, Otis College of Art & Design, Los Angeles California, US. 2018
- Curator's Agenda 2017, Block Frei, Vienna, Austria, 2017
- Habeas Data III, Curatoria Forense, Sao Paulo, Brazil 2016
Scholarships and Fellowships
- AHC Faculty Research Dissemination Award 2021/22 Round 5
- Chilean National Scholarship Program for PhD in a foreign country, 2018
- Otis Summer Residencies and Programs Fellowship, 2018
Conferences and Workshops
ACHS Biannual conference, Interculturalities Santiago December 2022
- Round Table:10 Years On: Past, Present and Future of (A)CHS; Laurajane Smith, Lucie Morisset, John Giblin, Victoria Vargas Downing; Moderated by Trinidad Rico
- Round Table: Descolonizando el Patrimonio a través del arte contemporáneo. Charla con Patricia Domínguez, Nicolás Grum y Natalia Montoya; Organised and moderated by Victoria Vargas Downing
- Individual presentation: Pulling threads, the Mutual Constitutionality of Contemporary art and heritage: a decolonial approach
‘Pulling threads: Decolonising Heritage through contemporary art’. in Prácticas desobedientes/Working disobedience encounter, Gasworks London, Latin Elephant and Tate Exchange.(2023)
In a text about Latin American poetry, the poet and artist Cecilia Vicuña compare a constellation in terms of Western and Andes culture. In the West, a constellation is constructed from star to star. While in the Andes, a dark constellation is the negative space between stars. My research is based on that negative space of creation & interaction between Contemporary Art and Heritage. I'm interested in how arts and cultural backgrounds have an influence on what is perceived as ‘heritage’ and how the re-creation of some ‘heritage practices’ in contemporary arts can work as a tool and an activation strategy for its re-interpretation and integration, and beyond that, as a tool to allow healing. In my research, I challenge the ontological assumptions of art and heritage to see how these two fields interact in a mutual constituency and reciprocal relationship. I challenge and present alternatives to logics of accumulation, extraction, temporality and materiality to unvail other ways of relating and interacting with heritage, art and the world. My main focus is Latin American contemporary Art production, but I am also interested in alternative forms of interpretation of art and heritage.
I'm also interested in finding new forms of academic research that can unsettle and disrupt colonial forms reproduced by traditional academic formats. My work is highly influenced by decolonial thought from Abya Yala, Feminist approaches and my own experience from an autoethnographic perspective. Currently, I’m part of the Organising Committee of Conferencia Ventana and the Coordinating team of the Early Career Network of the Association of Critical Heritage studies.
- BA Fine arts,with major in Theory and History of Art, Universidad de Chile, Chile
- Curating Diploma, Universidad Adolfo Ibáñez, Chile
- MA Arts Management and Heritage Studies, University of Leeds, UK