{"id":"00936239","next":"","publications":{"selected_publication":[],"favourites":[],"journal_article":[{"html":"

Scott DB<\/span> (2021)<\/span> The Operetta Empire: Music Theater in Early Twentieth-Century Vienna<\/span>. GERMAN HISTORY<\/span>, 39<\/span>, (4)<\/span>, pp. 637-638<\/span>. <\/a> <\/a><\/p>","publicationid":"579117","date":"2021-01-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott DB<\/span> (2019)<\/span> Music Hall: Regulations and Behaviour in a British Cultural Institution<\/span>. Muzikologija<\/span>, 2019<\/span>, (26)<\/span>, pp. 61-74<\/span>. <\/a> <\/a><\/p>","publicationid":"501181","date":"2019-06-30","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott DB<\/span> (2017)<\/span> Early Twentieth-Century Operetta from the German Stage: A Cosmopolitan Genre<\/span>. Musical Quarterly<\/span>, 99<\/span>, (2)<\/span>, pp. 254-279<\/span>. <\/a> <\/a><\/p>","publicationid":"440727","date":"2017-06-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott DB<\/span> (2017)<\/span> General Editor\u2019s Preface<\/span>. Michael Jackson Grasping the Spectacle<\/span>, pp. xiii<\/span>.<\/p>","publicationid":"1274966","date":"2017-01-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott DB<\/span> (2016)<\/span> General editor\u2019s Preface<\/span>. Life Music and Thought of Woody Guthrie A Critical Appraisal<\/span>, pp. ix<\/span>.<\/p>","publicationid":"1270514","date":"2016-01-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott DB<\/span> (2014)<\/span> Invention and Interpretation in Popular Music Historiography<\/span>. Beitr\u00e4ge zur Popularmusikforschung<\/span>, 40<\/span>, pp. 41-54<\/span>. <\/a><\/p>","publicationid":"256025","date":"2014-01-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott DB<\/span> (2013)<\/span> Jean Sibelius and his World. Ed. by Daniel M. Grimley<\/span>. Music and Letters<\/span>, 94<\/span>, (2)<\/span>, pp. 352-354<\/span>. <\/a> <\/a><\/p>","publicationid":"270939","date":"2013-05-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott DB<\/span> (2013)<\/span> Review of The Life and Music of Eric Coates, by M. Payne (Ashgate, 2012)<\/span>. NABMSA Newsletter<\/span>, (Spring)<\/span>, pp. 6-7<\/span>. <\/a><\/p>","publicationid":"346144","date":"2013-04-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2011)<\/span> La r\u00e9volution des musiques populaires au xix-\u00e8me si\u00e8cle<\/span>. Musurgia: analyse et pratique musicales<\/span>, 18<\/span>, (4)<\/span>, pp. 45-60<\/span>.<\/p>","publicationid":"256024","date":"2011-12-31","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2011)<\/span> Orientalism and Musical Style<\/span>. Mahoor Music Quarterly<\/span>, 14<\/span>, (53)<\/span>.<\/p>","publicationid":"256023","date":"2011-01-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2011)<\/span> Review of Regina B. Oost, Gilbert and Sullivan: Class and the Savoy Tradition, 1875\u20131896<\/span>. Music and Letters<\/span>, 92<\/span>, (2)<\/span>, pp. 307-310<\/span>.<\/p>","publicationid":"134906","date":"2011-01-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott DB<\/span> (2009)<\/span> Review of Charles Dibdin: The Sadler's Wells Dialogues, by P. Holman<\/span>. Early Music Performer<\/span>, (25)<\/span>, pp. 37-38<\/span>.<\/p>","publicationid":"346177","date":"2009-01-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2009)<\/span> Review of Peter Holman, ed., Charles Dibdin: The Sadler\u2019s Wells Dialogues (1772\u20131780)<\/span>. Early Music Performer, Journal of the National Early Music Association<\/span>, 25<\/span>, pp. 37-38<\/span>.<\/p>","publicationid":"134904","date":"2009-01-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2007)<\/span> Review of E. David Gregory, Victorian Songhunters: The Recovery and Editing of English Vernacular Ballads and Folk Lyrics, 1820\u20131883<\/span>. Music and Letters<\/span>, 88<\/span>, (4)<\/span>, pp. \u201385<\/span>.<\/p>","publicationid":"134903","date":"2007-01-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott DB<\/span> (2006)<\/span> In Search of Genetically Modified Music: Race and Musical Style in the Nineteenth Century<\/span>. Nineteenth Century Music Review<\/span>, 3<\/span>, (1)<\/span>, pp. 3-23<\/span>. <\/a><\/p>","publicationid":"513736","date":"2006-01-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2006)<\/span> Ian Bradley, Oh Joy! Oh Rapture! The Enduring Phenomenon of Gilbert and Sullivan (Oxford and New York: Oxford University Press, 2005)<\/span>. Music and Letters<\/span>, 87<\/span>, (4)<\/span>, pp. \u201378<\/span>.<\/p>","publicationid":"134902","date":"2006-01-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2006)<\/span> In Search of Genetically Modified Music<\/span>. Nineteenth-Century Music Review<\/span>, 3<\/span>, (1)<\/span>, pp. 3-23<\/span>.<\/p>","publicationid":"56362","date":"2006-01-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2004)<\/span> Review of Paul Maloney, Scotland and the Music Hall, 1850\u20131914<\/span>. Music and Letters<\/span>, 85<\/span>, (3)<\/span>, pp. \u201371<\/span>.<\/p>","publicationid":"134901","date":"2004-01-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2004)<\/span> From the Erotic to the Demonic: Scaling the Heights and Plumbing the Depths of Musicology<\/span>. Proceedings of the 1st Annual Conference of the Society for Musicology in Ireland<\/span>, pp. 1-19<\/span>.<\/p>","publicationid":"134889","date":"2004-01-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2003)<\/span> Ideology and Musical Style<\/span>. Orbis Musicae<\/span>, 13<\/span>, pp. 107-115<\/span>.<\/p>","publicationid":"68546","date":"2003-01-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott DB<\/span> (2002)<\/span> The music-hall cockney: Flesh and blood, or replicant?<\/span> Music and Letters<\/span>, 83<\/span>, (2)<\/span>, pp. 237-258<\/span>. <\/a><\/p>","publicationid":"112042","date":"2002-12-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott DB<\/span> (2002)<\/span> Music and social class in Victorian London<\/span>. Urban History<\/span>, 29<\/span>, (1)<\/span>, pp. 60-73<\/span>. <\/a><\/p>","publicationid":"134890","date":"2002-07-24","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (1998)<\/span> Review of F. Gunther Eyck, The Voice of Nations: European National Anthems and Their Authors, Chapter 2, \u2018The United Kingdom\u2019, 13\u201321<\/span>. Volkskundig Journal of Ethnology<\/span>.<\/p>","publicationid":"134900","date":"1998-01-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (1998)<\/span> Orientalism and Musical Style<\/span>. Musical Quarterly<\/span>, 82<\/span>, (2)<\/span>, pp. 309-35<\/span>.<\/p>","publicationid":"134891","date":"1998-01-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (1995)<\/span> Popular Music in the UK During the Second World War<\/span>. Popular Muscology<\/span>, 2<\/span>, pp. 55-59<\/span>.<\/p>","publicationid":"134892","date":"1995-01-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott DB<\/span> (1994)<\/span> Incongruity and predictability in British dance band music of the 1920s and 1930s<\/span>. Musical Quarterly<\/span>, 78<\/span>, (2)<\/span>, pp. 290-315<\/span>. <\/a><\/p>","publicationid":"134893","date":"1994-12-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott DB<\/span> (1994)<\/span> The sexual politics of victorian musical aesthetics<\/span>. Journal of the Royal Musical Association<\/span>, 119<\/span>, (1)<\/span>, pp. 91-114<\/span>. <\/a><\/p>","publicationid":"134894","date":"1994-01-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (1993)<\/span> Review of S M Schwanauer & D A Levitt, eds, Machine Models of Music<\/span>. Artificial Intelligence and Simulation of Behaviour Quarterly<\/span>, 85<\/span>, pp. 64-65<\/span>.<\/p>","publicationid":"134899","date":"1993-01-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (1993)<\/span> Review of M Balaban, K Ebcioglu & O Laske, eds, Understanding Music with AI: Perspectives on Music Cognition<\/span>. Artificial Intelligence and Simulation of Behaviour Quarterly<\/span>, 83\/84<\/span>, pp. 82-83<\/span>.<\/p>","publicationid":"134898","date":"1993-01-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (1991)<\/span> Music and Ideas: A State of Flux (Review Article)<\/span>. Musical Quarterly<\/span>, 75<\/span>, (1)<\/span>, pp. 82-92<\/span>.<\/p>","publicationid":"134895","date":"1991-01-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott DB<\/span> (1990)<\/span> Music and sociology for the 1990s: A changing critical perspective<\/span>. Musical Quarterly<\/span>, 74<\/span>, (3)<\/span>, pp. 385-410<\/span>. <\/a><\/p>","publicationid":"134896","date":"1990-12-01","publicationtype":"Journal article","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (1981)<\/span> Platonis Orpheus<\/span>. Composer<\/span>, 72<\/span>, pp. 11-15<\/span>.<\/p>","publicationid":"134897","date":"1981-01-01","publicationtype":"Journal article","isfavourite":"0"}],"conference_paper":[],"presentation_conference_workshop_etc_":[{"html":"

Scott, Derek B<\/span> All my conference activity is listed under \"Conferences\" in Professional Activities<\/span>.<\/p>","publicationid":"256681","date":"","publicationtype":"Presentation (conference\/workshop etc)","isfavourite":"0"}],"book":[{"html":"

Scott DB<\/span> (2025)<\/span> Revisiting the Popular in Music History<\/span>. Routledge<\/a>. <\/a><\/p>","publicationid":"1270515","date":"2025-12-18","publicationtype":"Book","isfavourite":"0"},{"html":"

Belina A; Scott DB eds<\/span> (2019)<\/span> The Cambridge Companion to Operetta<\/span>. Cambridge University Press<\/a>. <\/a><\/p>","publicationid":"531846","date":"2019-11-30","publicationtype":"Book","isfavourite":"0"},{"html":"

Belina A; Scott DB<\/span> (2019)<\/span> Introduction<\/span>.<\/p>","publicationid":"548577","date":"2019-11-14","publicationtype":"Book","isfavourite":"0"},{"html":"

Scott DB<\/span> (2019)<\/span> German Operetta on Broadway and in the West End, 1900\u20131940<\/span>. Cambridge University Press<\/a>. <\/a> <\/a><\/p>","publicationid":"501182","date":"2019-06-30","publicationtype":"Book","isfavourite":"0"},{"html":"

Kelly E; Mantere M; Scott DB eds<\/span> (2018)<\/span> Confronting the National in the Musical Past<\/span>. Routledge<\/a>. <\/a> <\/a><\/p>","publicationid":"471196","date":"2018-04-19","publicationtype":"Book","isfavourite":"0"},{"html":"

Scott DB<\/span> (2017)<\/span> The singing bourgeois: Songs of the Victorian drawing room and parlour: Second edition<\/span>. Routledge<\/a>. <\/a><\/p>","publicationid":"513722","date":"2017-07-05","publicationtype":"Book","isfavourite":"0"},{"html":"

Scott DB<\/span> (2017)<\/span> Preface<\/span>.<\/p>","publicationid":"513720","date":"2017-07-05","publicationtype":"Book","isfavourite":"0"},{"html":"

Scott DB<\/span> (2017)<\/span> General Editor's Preface<\/span>. Routledge<\/a>. <\/a><\/p>","publicationid":"495502","date":"2017-07-05","publicationtype":"Book","isfavourite":"0"},{"html":"

Scott DB<\/span> (2017)<\/span> Musical style and social meaning: Selected essays<\/span>. Ashgate Contemporary Thinkers on Critical Musicology<\/span>, Farnham<\/span>: Routledge<\/a>. <\/a><\/p>","publicationid":"133904","date":"2017-07-05","publicationtype":"Book","isfavourite":"0"},{"html":"

Watt P; Scott DB; Spedding P<\/span> (2017)<\/span> Cheap Print and Popular Song in the Nineteenth Century<\/span>. Cambridge University Press<\/span>.<\/p>","publicationid":"438318","date":"2017-03-23","publicationtype":"Book","isfavourite":"0"},{"html":"

Watt P; Scott DB; Spedding P eds<\/span> (2017)<\/span> Cheap print and popular song in the nineteenth century: A cultural history of the songster<\/span>. Cambridge University Press<\/a>. <\/a><\/p>","publicationid":"469900","date":"2017-01-01","publicationtype":"Book","isfavourite":"0"},{"html":"

Moore AF ed<\/span> (2016)<\/span> General editors' preface<\/span>. Routledge<\/a>. <\/a><\/p>","publicationid":"499163","date":"2016-09-17","publicationtype":"Book","isfavourite":"0"},{"html":"

Hawkins S; Scott DB<\/span> (2016)<\/span> General Editors' Preface<\/span>. Routledge<\/a>. <\/a><\/p>","publicationid":"492321","date":"2016-03-03","publicationtype":"Book","isfavourite":"0"},{"html":"

Scott DB<\/span> (2016)<\/span> Introduction<\/span>. Routledge<\/a>. <\/a><\/p>","publicationid":"613568","date":"2016-01-01","publicationtype":"Book","isfavourite":"0"},{"html":"

Scott DB ed<\/span> (2016)<\/span> The Ashgate Research Companion to Popular Musicology<\/span>. Routledge<\/a>. <\/a><\/p>","publicationid":"613566","date":"2016-01-01","publicationtype":"Book","isfavourite":"0"},{"html":"

Belina-Johnson A; Scott DB eds<\/span> (2016)<\/span> Introduction<\/span>. Routledge<\/a>. <\/a><\/p>","publicationid":"494048","date":"2016-01-01","publicationtype":"Book","isfavourite":"0"},{"html":"

Hawkins S; Scott DB<\/span> (2016)<\/span> General editors\u2019 preface<\/span>. Routledge<\/a>. <\/a><\/p>","publicationid":"494047","date":"2016-01-01","publicationtype":"Book","isfavourite":"0"},{"html":"

Belina-Johnson, Anastasia; Scott, Derek B eds<\/span> (2016)<\/span> The business of opera<\/span>. Farnham, Surrey<\/span>: Taylor & Francis<\/span>. <\/a><\/p>","publicationid":"256028","date":"2016-01-01","publicationtype":"Book","isfavourite":"0"},{"html":"

Belina-Johnson, Anastasia; Scott, Derek B. eds<\/span> (2015)<\/span> The Business of Opera<\/span>. Ashgate Interdisciplinary Studies in Opera<\/span>, Farnham<\/span>: Ashgate<\/span>.<\/p>","publicationid":"337648","date":"2015-11-01","publicationtype":"Book","isfavourite":"0"},{"html":"

Scott DB<\/span> (2013)<\/span> Foreword<\/span>. 46<\/span>, Informa UK Limited<\/a>. <\/a><\/p>","publicationid":"287409","date":"2013-12-01","publicationtype":"Book","isfavourite":"0"},{"html":"

Scott DB<\/span> (2013)<\/span> The ashgate research companion to popular musicology<\/span>.<\/p>","publicationid":"331903","date":"2013-01-01","publicationtype":"Book","isfavourite":"0"},{"html":"

Scott, Derek B (ed.)<\/span> (2011)<\/span> Bawdy Songbooks of the Romantic Period, Volume 4<\/span>. Bawdy Songbooks of the Romantic Period<\/span>, London<\/span>: Pickering & Chatto<\/a>.<\/p>","publicationid":"143289","date":"2011-07-31","publicationtype":"Book","isfavourite":"0"},{"html":"

Scott DB<\/span> (2010)<\/span> The Ashgate research companion to popular musicology<\/span>.<\/p>","publicationid":"513728","date":"2010-12-01","publicationtype":"Book","isfavourite":"0"},{"html":"

Scott, Derek B (ed.)<\/span> (2009)<\/span> The Ashgate Research Companion to Popular Musicology<\/span>. Ashgate Research Companions<\/span>, Farnham<\/span>: Ashgate<\/a>.<\/p>","publicationid":"46808","date":"2009-01-01","publicationtype":"Book","isfavourite":"0"},{"html":"

Scott DB<\/span> (2008)<\/span> Preface<\/span>.<\/p>","publicationid":"513731","date":"2008-12-01","publicationtype":"Book","isfavourite":"0"},{"html":"

Scott DB<\/span> (2008)<\/span> Sounds of the Metropolis: The 19th Century Popular Music Revolution in London, New York, Paris and Vienna<\/span>. Oxford University Press<\/a>. <\/a><\/p>","publicationid":"311022","date":"2008-09-01","publicationtype":"Book","isfavourite":"0"},{"html":"

Scott DB<\/span> (2008)<\/span> Sounds of the Metropolis<\/span>. New York<\/span>: Oxford University Press (OUP)<\/span>. <\/a><\/p>","publicationid":"56022","date":"2008-09-01","publicationtype":"Book","isfavourite":"0"},{"html":"

Scott DB<\/span> (2008)<\/span> From The Erotic To The Demonic: On Critical Musicology<\/span>. Oxford University PressNew York<\/a>. <\/a><\/p>","publicationid":"319739","date":"2008-05-01","publicationtype":"Book","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2003)<\/span> From the Erotic to the Demonic: On Critical Musicology<\/span>. Oxford<\/span>: Oxford University Press<\/span>. <\/a><\/p>","publicationid":"4933","date":"2003-03-01","publicationtype":"Book","isfavourite":"0"},{"html":"

Scott DB<\/span> (2001)<\/span> The Singing Bourgeois, Songs of the Victorian Drawing Room and Parlour<\/span>. 2nd ed.<\/span>, London<\/span>: Taylor & Francis<\/a>. <\/a><\/p>","publicationid":"15880","date":"2001-08-07","publicationtype":"Book","isfavourite":"0"},{"html":"

Scott, Derek B (ed.)<\/span> (2000)<\/span> Music, Culture, and Society: A Reader<\/span>. Oxford<\/span>: Oxford University Press<\/a>.<\/p>","publicationid":"2967","date":"2000-05-01","publicationtype":"Book","isfavourite":"0"},{"html":"

Cowgill R; Scott DB eds<\/span> Music and Ideas of North<\/span>. London<\/span>: Routledge<\/a>.<\/p>","publicationid":"295322","date":"","publicationtype":"Book","isfavourite":"0"},{"html":"

Belina-Johnson A; Scott DB eds<\/span> The Business of Opera<\/span>. Farnham, Surrey<\/span>: Ashgate Publishing<\/span>.<\/p>","publicationid":"295321","date":"","publicationtype":"Book","isfavourite":"0"},{"html":"

Scott, Derek B; Spedding, Patrick; Watt, Paul eds<\/span> The Nineteenth-Century Songster: A Cultural History<\/span>.<\/p>","publicationid":"256027","date":"","publicationtype":"Book","isfavourite":"0"}],"chapter":[{"html":"

Scott DB<\/span> (2021)<\/span> The production, reception and cultural transfer of operetta on early sound film<\/span>. In: Santi M; Berner E eds<\/span> Music Media History Re Thinking Musicology in an Age of Digital Media<\/span>, Musik und Klangkultur<\/span>, 44<\/span>, transcript Verlag<\/a>, pp. 169-181<\/span>. <\/a> <\/a><\/p>","publicationid":"568279","date":"2021-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Hansen KA; Asker\u00f8i E; Jarman F<\/span> (2020)<\/span> Popular Musicology and Identity<\/span>. In: Hansen KA; Asker\u00f8i E; Jarman F eds<\/span> Popular Musicology and Identity: Essays in Honour of Stan Hawkins<\/span>, London, UK<\/span>: Routledge<\/a>. <\/a> <\/a><\/p>","publicationid":"541677","date":"2020-08-09","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2019)<\/span> Operetta films<\/span>. Cambridge Companion to Operetta<\/span>, Cambridge University Press<\/a>, pp. 272-285<\/span>. <\/a><\/p>","publicationid":"548579","date":"2019-11-14","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2019)<\/span> British operetta after Gilbert and Sullivan<\/span>. Cambridge Companion to Operetta<\/span>, Cambridge University Press<\/a>, pp. 246-260<\/span>. <\/a><\/p>","publicationid":"548578","date":"2019-11-14","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2019)<\/span> English national identity and the comic operas of Gilbert and Sullivan<\/span>. In: Zon B; Horton P; Britain SFTSOMIN-C eds<\/span> Nineteenth Century British Music Studies Volume 3<\/span>, 3<\/span>, Routledge<\/a>, pp. 137-152<\/span>. <\/a><\/p>","publicationid":"134864","date":"2019-05-23","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2018)<\/span> Cosmopolitan musicology<\/span>. In: Kelly E; Mantere M; Scott D eds<\/span> Confronting the National in the Musical Past<\/span>, Taylor & Francis<\/span>, pp. 17-30<\/span>. <\/a> <\/a><\/p>","publicationid":"486591","date":"2018-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB; Kelly E; Mantere M<\/span> (2018)<\/span> Introduction<\/span>. In: Kelly E; Mantere M; Scott D eds<\/span> Confronting the National in the Musical Past<\/span>, Taylor & Francis<\/span>, pp. 1-14<\/span>. <\/a> <\/a><\/p>","publicationid":"486590","date":"2018-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2017)<\/span> English National Identity and the Comic Operas of Gilbert and Sullivan<\/span>. Nineteenth Century British Music Studies Volume 3<\/span>, Routledge<\/a>, pp. 137-152<\/span>. <\/a><\/p>","publicationid":"609493","date":"2017-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2017)<\/span> The US presidential campaign songster, 1840-1900<\/span>. In: Watt P; Scott DB; Spedding P eds<\/span> Cheap Print and Popular Song in the Nineteenth Century A Cultural History of the Songster<\/span>, Cambridge, UK<\/span>: Cambridge University Press<\/a>, pp. 73-90<\/span>. <\/a> <\/a><\/p>","publicationid":"469902","date":"2017-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Watt P; Scott DB; Spedding P<\/span> (2017)<\/span> The nineteenth-century songster: Recovering a lost musical artefact<\/span>. Cheap Print and Popular Song in the Nineteenth Century A Cultural History of the Songster<\/span>, Cambridge University Press<\/a>, pp. 1-8<\/span>. <\/a><\/p>","publicationid":"469901","date":"2017-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2016)<\/span> Policing the Boundaries of Art and Entertainment<\/span>. In: H\u00f6rner F ed<\/span> Kulturkritik und das Popul\u00e4re in der Musik<\/span>, Popula\u0308re Kultur und Musik<\/span>, 18<\/span>, M\u00fcnster<\/span>: Waxmann-Verlag<\/a>, pp. 53-63<\/span>. <\/a><\/p>","publicationid":"295323","date":"2016-06-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2016)<\/span> The britpop sound<\/span>. Britpop and the English Music Tradition<\/span>, pp. 103-122<\/span>. <\/a><\/p>","publicationid":"526826","date":"2016-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2016)<\/span> I changed my olga for the britney: Occidentalism, auto-orientalism and global fusion in music<\/span>. In: Kurkela, V; Mantere, M eds<\/span> Critical Music Historiography Probing Canons Ideologies and Institutions<\/span>, Farnham<\/span>: Ashgate<\/a>, pp. 141-158<\/span>. <\/a> <\/a><\/p>","publicationid":"319372","date":"2016-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2016)<\/span> Irish nationalism, british imperialism and the role of popular music<\/span>. In: Fairclough P ed<\/span> Twentieth Century Music and Politics Essays in Memory of Neil Edmunds<\/span>, Abingdon, Oxon<\/span>: Routledge<\/a>, pp. 231-248<\/span>. <\/a> <\/a><\/p>","publicationid":"134880","date":"2016-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2015)<\/span> \u2018I changed my Olga for the Britney\u2019: Occidentalism, auto-orientalism and global fusion in music<\/span>. In: Kurkela V; Mantere M eds<\/span> Critical Music Historiography Probing Canons Ideologies and Institutions<\/span>, Ashgate<\/span>, pp. 141-158<\/span>.<\/p>","publicationid":"256022","date":"2015-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2014)<\/span> The Oxford Handbook of Opera<\/span>. In: Greenwald HM ed<\/span> The Oxford Handbook of Opera<\/span>, Oxford Handbooks in Music<\/span>, New York<\/span>: Oxford University Press<\/a>, pp. 53-72<\/span>. <\/a> <\/a><\/p>","publicationid":"275043","date":"2014-11-05","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2014)<\/span> Comic Style and Character Psychology in the Music of Arthur Sullivan<\/span>. In: Heikkinen O; Kilpi\u00f6 K; Mantere M; Rantanen S; Leena S; Tolvanen H; Uimonen H eds<\/span> Valistus on viritetty: Esseit\u00e4 musiikista, huvittelusta ja historiasta<\/span>, Sibelius-Akatemian julkaisuja<\/span>, Helsinki<\/span>: Taideyliopiston Sibelius-Akatemia<\/span>, pp. 203-217<\/span>. <\/a><\/p>","publicationid":"309632","date":"2014-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2014)<\/span> German operetta in the west end and on broadway<\/span>. In: Platt L; Becker T; Linton D eds<\/span> Popular Musical Theatre in London and Berlin 1890 1939<\/span>, Cambridge<\/span>: Cambridge University Press<\/a>, pp. 62-80<\/span>. <\/a> <\/a><\/p>","publicationid":"306400","date":"2014-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2013)<\/span> Comic Style in Sullivan\u2019s Music<\/span>. The Magic That Is Gilbert & Sullivan<\/span>, Halifax<\/span>: International Gilbert & Sullivan Festivals<\/a>, pp. 43-54<\/span>.<\/p>","publicationid":"275040","date":"2013-12-20","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2013)<\/span> Irish nationalism, British imperialism and the role of popular music<\/span>. Twentieth Century Music and Politics Essays in Memory of Neil Edmunds<\/span>, pp. 231-248<\/span>.<\/p>","publicationid":"287407","date":"2013-12-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2013)<\/span> Song Performance in the Early Sound Shorts of British Path\u00e9<\/span>. In: Brown J; Davison A eds<\/span> Sounds of the Silents in Britain<\/span>, New York<\/span>: Oxford University Press<\/a>, pp. 183-199<\/span>. <\/a><\/p>","publicationid":"134879","date":"2013-01-24","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2013)<\/span> Imagining the Balkans, Imagining Europe: Balkan Entries in the Eurovision Song Contest<\/span>. In: Pennanen RP; Poulos PC; Theodosiou A eds<\/span> Ottoman Intimacies, Balkan Musical Realities<\/span>, Papers and Monographs of the Finnish Institute at Athens<\/span>, Helsinki<\/span>: Finnish Institute at Athens<\/a>, pp. 125-135<\/span>. <\/a><\/p>","publicationid":"275042","date":"2013-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2012)<\/span> Music, morality and rational amusement at the Victorian middle-class soir\u00e9e<\/span>. In: Zon B ed<\/span> Music and Performance Culture in Nineteenth Century Britain Essays in Honour of Nicholas Temperley<\/span>, Farnham<\/span>: Ashgate<\/a>, pp. 83-101<\/span>.<\/p>","publicationid":"134881","date":"2012-12-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2012)<\/span> Postmodernism and music<\/span>. In: Sim S ed<\/span> Routledge Companion to Postmodernism Third Edition<\/span>, pp. 182-193<\/span>. <\/a><\/p>","publicationid":"134871","date":"2012-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2011)<\/span> Postmodernism and Music<\/span>. In: Sim S ed<\/span> The Routledge Companion to Postmodernism<\/span>, Routledge<\/span>, pp. 182-193<\/span>.<\/p>","publicationid":"143288","date":"2011-11-30","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2011)<\/span> Postmodernism and Music<\/span>. In: Sim S ed<\/span> The Routledge Companion to Postmodernism<\/span>, London<\/span>: Routledge<\/span>, pp. \u201393<\/span>.<\/p>","publicationid":"134873","date":"2011-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2010)<\/span> The britpop sound<\/span>. In: A Bennett; J Stratton eds<\/span> Britpop and the English Music Tradition<\/span>, Farnham<\/span>: Ashgate<\/span>, pp. 103-122<\/span>.<\/p>","publicationid":"133908","date":"2010-12-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2010)<\/span> Introduction<\/span>. In: Lawson A; Gooding C eds<\/span> Advances in Global Change Research<\/span>, 45<\/span>, Springer Netherlands<\/a>, pp. 1-21<\/span>. <\/a><\/p>","publicationid":"88688","date":"2010-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2009)<\/span> Edward Said and the interplay of music, history and ideology<\/span>. In: Ghosh R ed<\/span> Edward Said and the Literary Social and Political World<\/span>, 63<\/span>, New York<\/span>: Routledge<\/a>, pp. 104-123<\/span>. <\/a><\/p>","publicationid":"19296","date":"2009-04-21","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2009)<\/span> Sullivan\u2019s Demonic Tea-making Scene: Homage to Weber, or Parody?<\/span> Die Schaub\u00fchne in der Epoche des Freisch\u00fctz<\/span>, Anif\/Salzburg<\/span>: Verlag M\u00fcller-Speiser<\/span>, pp. 1-9<\/span>.<\/p>","publicationid":"109261","date":"2009-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2009)<\/span> The Popular Music Revolution in the Nineteenth Century: A Third Type of Music Arises<\/span>. In: V\u00e4kev\u00e4 L ed<\/span> De-Canonizing Music History<\/span>, Cambridge Scholars Publishing<\/span>, pp. 3-19<\/span>.<\/p>","publicationid":"44469","date":"2009-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2008)<\/span> Two articles (Gilbert & Sullivan, Music Halls)<\/span>. In: Howell JW ed<\/span> The Greenwood Encyclopedia of Love, Courtship, & Sexuality Through History: The Nineteenth Century<\/span>.<\/p>","publicationid":"134888","date":"2008-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2007)<\/span> Incongruity and Predictability in British Dance-Band Music of the 1920s and 1930s<\/span>. In: Moore AF ed<\/span> Critical Essays in Popular Musicology<\/span>, Aldershot<\/span>: Ashgate<\/span>, pp. 337-362<\/span>.<\/p>","publicationid":"54197","date":"2007-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2007)<\/span> A Problem of Race in Directing Die Zauberfloete<\/span>. In: K\u00fchnel J; M\u00fcller U; Panagl O; et al. eds<\/span> Regietheater: Konzeption und Praxis am Beispiel der B\u00fchnenwerke Mozarts<\/span>, Anif\/Salzburg<\/span>: Verlag M\u00fcller-Speiser<\/span>, pp. 338-344<\/span>.<\/p>","publicationid":"22763","date":"2007-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2006)<\/span> The power of music<\/span>. Power<\/span>, Cambridge University Press<\/a>, pp. 94-113<\/span>. <\/a><\/p>","publicationid":"513724","date":"2006-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2006)<\/span> Blackface Minstrels, Black Minstrels, and Their Impact on British Popular Music<\/span>. In: Rushton J; Cowgill R eds<\/span> Europe, Empire and Spectacle in 19th-Century British Music<\/span>, Aldershot<\/span>: Ashgate<\/a>, pp. 265-280<\/span>.<\/p>","publicationid":"86315","date":"2006-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2005)<\/span> England<\/span>. Continuum Encyclopedia of Popular Music of the World<\/span>, 7, Europe<\/span>, London<\/span>: Continuum<\/a>, pp. 329-340<\/span>.<\/p>","publicationid":"120548","date":"2005-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2005)<\/span> Mimesis, Gesture, and Parody in Musical Word-Setting<\/span>. In: Williamson J ed<\/span> Words and Music<\/span>, 3<\/span>, Liverpool<\/span>: University of Liverpool Press<\/span>, pp. 10-27<\/span>.<\/p>","publicationid":"103574","date":"2005-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2005)<\/span> The Power of Music<\/span>. In: Blackwell A; MacKay D eds<\/span> Power<\/span>, Cambridge<\/span>: Cambridge University Press<\/a>, pp. 96-115<\/span>.<\/p>","publicationid":"87117","date":"2005-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2005)<\/span> The Impact of Black Performance on the 19th-Century Stage<\/span>. In: Csob\u00e1bi P; al E eds<\/span> Das (Musik)Theater in Exil und Diktatur und seine Rezeption<\/span>, Anif\/Salzburg<\/span>: Verlag M\u00fcller-Speiser<\/span>, pp. 262-274<\/span>.<\/p>","publicationid":"49462","date":"2005-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2004)<\/span> Bruckner\u2019s symphonies \u2013 a reinterpretation: The dialectic of darkness and light<\/span>. Cambridge Companion to Bruckner<\/span>, Cambridge University Press<\/a>, pp. 92-107<\/span>. <\/a><\/p>","publicationid":"513735","date":"2004-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (2004)<\/span> Other mainstreams: Light music and easy listening, 1920\u201370<\/span>. Cambridge History of Twentieth Century Music<\/span>, Cambridge University Press<\/a>, pp. 307-335<\/span>. <\/a><\/p>","publicationid":"513723","date":"2004-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2004)<\/span> Nine articles<\/span>. In: Matthew HCG; Harrison BH eds<\/span> Oxford dictionary of national biography<\/span>, Oxford<\/span>: Oxford University Press<\/span>.<\/p>","publicationid":"134887","date":"2004-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2004)<\/span> Bruckner\u2019s Symphonies \u2013 A Reinterpretation<\/span>. In: Williamson J ed<\/span> The Cambridge companion to Bruckner<\/span>, Cambridge Univ Pr<\/span>.<\/p>","publicationid":"134863","date":"2004-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2004)<\/span> Postmodernism and Music<\/span>. In: Sim S ed<\/span> Companion to Postmodernism<\/span>, London<\/span>: Routledge<\/span>, pp. 122-132<\/span>.<\/p>","publicationid":"116683","date":"2004-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2004)<\/span> Light Music and Easy Listening, 1920-70<\/span>. In: Cook N; Pople A eds<\/span> The Cambridge History of Twentieth Century Music<\/span>, Cambridge<\/span>: Cambridge University Press<\/a>, pp. 307-335<\/span>.<\/p>","publicationid":"91634","date":"2004-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2003)<\/span> English National Identity and the Comic Operas of Gilbert & Sullivan<\/span>. In: Csob\u00e1di P ed<\/span> Politische Mythen und nationale Identit\u00e4ten im (Musik-)Theater<\/span>, Verlag M\u00fcller-Speiser<\/span>, pp. \u201377<\/span>.<\/p>","publicationid":"134872","date":"2003-08-23","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2003)<\/span> 61 bibliographic entries, 15 subject entries<\/span>. In: Knakkergaard M; Gravesen F eds<\/span> Gads musikleksikon<\/span>, Copenhagen<\/span>: Gards Forlag<\/span>.<\/p>","publicationid":"134886","date":"2003-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2001)<\/span> Charlotte Alington Barnard<\/span>. In: Sadie S; Grove G eds<\/span> The new Grove dictionary of music and musicians<\/span>, London<\/span>: Macmillan<\/span>.<\/p>","publicationid":"134885","date":"2001-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2001)<\/span> Variety Performance on Stage and Film<\/span>. In: Csob\u00e1di P ed<\/span> Das Musiktheater in den audiovisuellen Medien<\/span>, Anif\/Salzburg<\/span>: Verlag M\u00fcller-Speiser<\/span>, pp. \u201342<\/span>.<\/p>","publicationid":"134866","date":"2001-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2001)<\/span> (What\u2019s the Copy?) The Beatles and Oasis<\/span>. In: 2000 BC; Jyv\u00e4skyl\u00e4 eds<\/span> Beatlestudies<\/span>.<\/p>","publicationid":"134865","date":"2001-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (2001)<\/span> Music and Social Class<\/span>. In: Samson J ed<\/span> Cambridge History of Nineteenth Century Music<\/span>, Cambridge<\/span>: Cambridge University Press<\/a>, pp. \u201367<\/span>.<\/p>","publicationid":"47532","date":"2001-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (1998)<\/span> Cultuur, politiek en de Britse nationale hymne<\/span>. In: Grijp LP; De Bruin, M. (Translator) eds<\/span> Nationale hymnen<\/span>, Amsterdam<\/span>: SUN\/Meertens Instituut<\/span>, pp. \u201327<\/span>.<\/p>","publicationid":"134870","date":"1998-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott DB<\/span> (1998)<\/span> Orientalism and musical style<\/span>. In: Williams P ed<\/span> Edward Said<\/span>, 82<\/span>, London<\/span>: Oxford University Press (OUP)<\/a>, pp. 309-335<\/span>. <\/a><\/p>","publicationid":"134868","date":"1998-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (1995)<\/span> The Jazz Age<\/span>. In: Banfield S ed<\/span> The Blackwell History of Music in Britain<\/span>, 6<\/span>, Oxford<\/span>: Blackwell<\/span>, pp. \u201378<\/span>.<\/p>","publicationid":"134874","date":"1995-01-01","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (1994)<\/span> Seven short articles<\/span>. In: Sadie JA; Samuel R eds<\/span> The New Grove dictionary of women composers<\/span>, London<\/span>: Macmillan<\/span>.<\/p>","publicationid":"134884","date":"1994-11-02","publicationtype":"Chapter","isfavourite":"0"},{"html":"

Scott, Derek B<\/span> (1993)<\/span> Sexuality and Musical Style from Monteverdi to Mae West<\/span>. In: Miller S ed<\/span> The Last post<\/span>, Manchester Univ Pr<\/span>.<\/p>","publicationid":"134875","date":"1993-04-08","publicationtype":"Chapter","isfavourite":"0"}],"conference_abstract":[],"preprint":[],"report":[],"internet_publication":[],"performance":[],"composition":[],"exhibition":[],"poster":[],"artefact":[],"design":[],"patent":[],"scholarly_edition":[],"software_code":[],"thesis_dissertation":[],"other":[],"dataset":[],"media":[],"working_paper":[]}}