Professor Aaron Meskin
- Position: Professor of Philosophical Aesthetics
- Areas of expertise: aesthetics; experimental philosophy; imagination; philosophical psychology; philosophy of art; philosophy of film; philosophy of literature; philosophy of food
- Email: A.Meskin@leeds.ac.uk
- Phone: +44(0)113 343 3284
- Location: G.03 Michael Sadler
- Website: | | Googlescholar
I joined Philosophy at Leeds in 2005. Before my move to Leeds, I taught at Texas Tech University in Lubbock, Texas. I did my first degree at Brown University in Providence, Rhode Island. My current interests include experimental aesthetics, the philosophy of food, and the aesthetic issues raised by various underexplored arts.
My former Treasurer and Officer of the British Society of Aesthetics and a former Trustee of the American Society for Aesthetics. From 2009-2013 I was co-investigator on the AHRC project "Method in philosophical aesthetics: the challenge from the sciences."
See my personal page for full publication information.
- 'Aesthetic Adjectives: Experimental Semantics and Context-Sensitivity,' (with Shen-yi Liao) Philosophy and Phenomenological Research 2015, doi: 10.1111/phpr.12217.
- 'Taste and Acquaintance,' (with Jon Robson), The Journal of Aesthetics and Art Criticism 2015, 73(2): 127-139.
- 'Comics, Prints, and Multiplicity' (with Roy Cook), The Journal of Aesthetics and Art Criticism 2015, 73(1): 57-67.
- 'Mere Exposure to Bad Art,' (with Mark Phelan, Margaret Moore and Matthew Kieran), British Journal of Aesthetics 2013, 53(2): 1-25.
- 'Defining Comics?' The Journal of Aesthetics and Art Criticism, 65, 2007: pp. 369-379. [A shortened version appears in Aesthetics: A Reader in Philosophy of the Arts, ed. David Goldblatt and Lee Brown, third edition. Upper Saddle River, NJ: Pearson Education, 2011.]
- 'An Objective Counterfactual Theory of Information,' (with Jonathan Cohen), Australasian Journal of Philosophy, 84 (3), 2006: pp. 333-352.
- 'Aesthetic Testimony: What Can We Learn From Others About Beauty and Art?' Philosophy and Phenomenological Research, 69 (1), 2004: pp. 65-91.
- 'On the Epistemic Value of Photographs,' (with Jonathan Cohen), Journal of Aesthetics and Art Criticism, 62 (2), 2004: pp. 197-210.
The Routledge Companion to Comics (co-edited with an introduction by Frank Bramlett, Roy T Cook and Aaron Meskin). Routledge, 2016.
Aesthetics and The Sciences of Mind (co-edited with an introduction by Gregory Currie, Matthew Kieran, Aaron Meskin and Jon Robson). Oxford University Press, 2014.
Philosophical Aesthetics and the Sciences of Art (co-edited with an introduction by Gregory Currie, Matthew Kieran, Aaron Meskin and Margaret Moore). Cambridge University Press, 2014.
The Art of Comics: A Philosophical Approach (co-edited with Roy T Cook). Malden, MA: Wiley-Blackwell, 2012.
On the whole, The Art of Comics is an excellent book, and will no doubt be the starting point for interested analytic philosophers for years to come...The book is also a real success at shedding new light on many long-standing problems in aesthetics. On top of its other achievements, Meskin and Cook's anthology establishes beyond any doubt that comics merit philosophical study as much as they do carefree enjoyment. (Brandon Cooke, Notre Dame Philosophical Reviews)
I found this volume to be extremely rewarding (both qua philosopher and qua comic lover), the essays by the two editors and Abell’s paper on genre being particular highlights... considered as a whole, The Art of Comics is an excellent collection and one which is likely to provoke spirited debate and serve as a spur to further research within Anglo-American philosophy (and philosophy more generally) into this sadly neglected art form. I, for one, look forward to these future developments immensely. To quote one of the greats in the history of comics—excelsior! (Jon Robson, British Journal of Aesthetics)
To read an interview with Aaron about this book go to the publisher's website.
The primary focus of my research is in the fields of aesthetics and the philosophy of art. I have published extensively on a wide variety of topics in those areas, including aesthetic testimony, authorship, the definition of art, emotional responses to fiction, the epistemology of photography, style, and the philosophical questions raised by the arts of comics, dance, theatre and videogames. Much of my recent work in aesthetics is experimental in nature. Outside of aesthetics, I have co-authored works on the metaphysics of information and the cognitive architecture of the imagination. I've recently begun to work seriously on the philosophy of food.<h4>Research projects</h4> <p>Any research projects I'm currently working on will be listed below. Our list of all <a href="https://ahc.leeds.ac.uk/dir/research-projects">research projects</a> allows you to view and search the full list of projects in the faculty.</p>
- PhD in Philosophy (Rutgers)
- BA in Philosophy (Brown)
- American Society for Aesthetics
- British Society of Aesthetics
I teach a wide range of modules in the School of PRHS and supervise a number of postgraduate students.
I am happy to offer PhD supervision in any of the above research areas.
Carl Baker, 'The Role of Disagreement in the Debate Over Aesthetic Relativism' (2008-2012; co-supervised with Matthew Kieran)
Istvan Danka, 'Teaching Philosophy Online' (2011-2013; co-supervised with Jason Turner)
Alice Murphy,'Thought experiments in science and art' (2016-present; co-supervised with Steven French)
Levno Plato, 'The Significance of Aesthetics in Ethics' (2009-2014; co-supervised with Matthew Kieran)
James Rimmer, 'Character, Art, and Aesthetics' (2013-2017; co-supervised with Matthew Kieran)
Diane Sofronieva, 'The importance of empathy for the flourishing of individual and society' (2017-present; co-supervised with Jamie Dow)
Research groups and institutes
- Centre for Aesthetics