Dr Dominic O'Key

Dr Dominic O'Key

Profile

I am a Postdoctoral Research Fellow working on three projects: First, I am a Research Fellow on a two-year project on the cultural meanings of the sixth extinction. Second, I am a research assistant on a year-long seminar series exploring animism, creativity, indigeneity, and ecology. And third, I am writing a book manuscript about contemporary literature, human-animal relations and the concept of the “creaturely”.

My book project is informed by my PhD in Comparative Literature, which I gained in spring 2019. My PhD thesis investigated how three celebrated writers turned to the figure of the animal at the end of the twentieth century. I argued that these writers – W. G. Sebald, J. M. Coetzee, and Mahasweta Devi – all differently contest modernity's war against animals, and in doing so their fictions imagine other ways in which humans might live with and alongside our nonhuman neighbours. My PhD project was supervised by Dr Helen Finch and Dr Sam Durrant, and was supported by Professor Stuart Taberner's Leverhulme Trust Major Research Project "Traumatic Pasts, Cosmopolitanism, and Nation-Building in Contemporary German and South African Literature". My PhD research was fully funded by the School of Languages, Cultures and Societies and the Doctoral College.

Activities and engagement: 

Editorial: From 2017 to 2019, I was an associate editor of the cultural studies and critical theory journal, parallax.

Events: From 2015–2017 I convened the Creaturely Life reading group. In 2016/17 I co-directed Quilting Points, the interdisciplinary critical theory group. For this, Rachel Johnson and I explored the work of Hannah Arendt, and invited presentations from Profs. Simon Swift (Geneva), Patrick Hayden (St Andrews) and Lyndsey Stonebridge (East Anglia). I also co-organised a number of workshops on World Literature and Memory Studies, including the WRoCAH-funded event World Against Globe: Reconceptualising World Literatures Today (April 2016); a joint workshop with Kings College London, Futures of Memory (Feb 2017), funded by the Leverhulme Trust; and, in May 2017, Ian Ellison and I hosted a one-day PGR conference on the future of studying W. G. Sebald, Beyond Sebald: New Trajectories in Sebald Studies, funded by the School of Languages, Cultures and Societies. In June 2018, I organised and hosted a conversation with journalist Daniel Trilling about borders, migration, and his recent book Lights in the Distance: Exile and Refuge at the Borders of Europe.

Animal studies at Leeds: I am a co-director of the Leeds Animal Studies Network and an active member of the Northern Animals collectiveCaitlin Stobie and I organised the second meeting of the collective, Northern Animals #2: Animals and Borders. Hosted at the Leeds Museum's Discovery Centre, our workshop explored the concept of "borders" from an animal studies perspective. The workshop featured a store tour of the Discovery Centre’s collection of illegal and confiscated taxidermy, public engagement with New Wortley Community Centre's Men's Walking Group, and an evening reading by the South African author Henrietta Rose-Innes. This event was funded by the Institute of Colonial and Postcolonial Studies, the British Society for Literature and ScienceInternational Writers at Leeds, and the School of English.

Recent conferences and workshops: I have presented research at numerous conferences and workshops. In reverse chronological order: 

Research interests

Publications 

‘Animal Collectives: Nonhuman Narratology and the Promise of We-Narratives’, in Style (in preparation, forthcoming in 2020)

Guest editor of 'Animal Borderlands', a special issue of parallax (vol. 26, no. 2, June 2020)

' "Entering Life": Literary De-extinction and the Archives of Life in Mahasweta Devi's Pterodactyl, Puran Sahay, and Pirtha', in LIT: Literature Interpretation Theory (forthcoming, December 2019)

'Herring Fisheries, Fish-Eating and Natural History in W. G. Sebald's The Rings of Saturn', in Literature and Meat Since 1900, ed. by Seán McCorry and John Miller (Palgrave Macmillan, 2019)

'W. G. Sebald's Zoopoetics: Writing After Nature', in Texts, Animals, Environments, ed. by Frederike Middelhoff, Sebastian Schönbeck, Roland Borgands, and Catrin Gersdorf (Rombach, 2019)

'Postscript, Posthuman: Werner Herzog's "Crocodile" at the End of the World', in Animal Biographies, ed. by André Krebber and Mieke Roscher (Palgrave Macmillan, 2018), pp. 185-203. You can also listen to me discuss this paper on the Knowing Animals podcast here.

'Paul Celan and the Poetics of Anxiety', WRoCAH Journal, vol. 1 (2016)

'The First Need: Hunger in Jan Nemec's Diamonds of the Night', Studies in Eastern European Cinema, vol. 7 (2016), 102-113

   

 

Essays and Reviews

'Look to the Piglet: on Bong Joon-Ho's Okja'Berfrois, 2017, co-authored with Caitlin Stobie

'Writing Between Species: Yoko Tawada's Memoirs of a Polar Bear'3:AM Magazine, 2017

'Curiosity and Refusal: Werner Herzog's Late Documentaries'The Cinematologists, 2017 

<h4>Research projects</h4> <p>Any research projects I'm currently working on will be listed below. Our list of all <a href="https://ahc.leeds.ac.uk/dir/research-projects">research projects</a> allows you to view and search the full list of projects in the faculty.</p>

Qualifications

  • PhD Comparative Literature
  • MA Critical and Cultural Theory
  • BA (Hons) English Language and Literature (International)

Student education

I hold an Associate Fellowship from the Higher Education Academy (AFHEA), and have developed my teaching practice on various modules in the Faculty of Arts. From 2016 to present, I have delivered lectures and led seminar groups on modules including Writing Critically (level 1), Poetry: Reading and Interpretation (level 1), Vision and Narrative (level 1), Contemporary World Literature (level 3), and Postcolonial Literature (level 3).

Other responsibilities: